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Recently viewed. L'eau à la bouche: Directed by Jacques Doniol-Valcroze. With Bernadette Lafont, Françoise Brion, Alexandra Stewart, Michel Galabru. Miléna is living in her grandmother's baroque château when the rich lady dies. The lawyer Miguel, who had a previous relationship with Miléna, insists the other two grandchildren, Fifine and ...
Doniol-Valcroze participó como actor en algunas películas, como El inmortal (1963), el debut como director del escritor Alain Robbe-Grillet. Es autor de numerosos guiones, así como de una novela, Les portes du Baptistère. También trabajó durante años en televisión. Murió en 1989, víctima de un infarto durante la ceremonia de ...
Jacques Doniol-Valcroze (born in Paris March 15, 1920; died in Cannes on October 6, 1989) was a French actor, critic, screenwriter, and director. In 1964 he was a member of the jury at the 14th Berlin International Film Festival.
Alle Filme mit: Jacques Doniol-Valcroze. 1977. Emmanuelle III: Goodbye, Emmanuelle. 1975. Jeanne Dielman, 23 Quai de Commerce, 1080 Bruxelles. News über Jacques Doniol-Valcroze. Noch keine Inhalte verfügbar. Top Kinofilme Deutschland. 1 zuvor 1. Raus au ...
French actor (1920-1989) This page was last edited on 3 May 2024, at 05:08. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
Jacques Doniol-Valcroze (París, 15 de març de 1920 - Canes, 6 d'octubre de 1989) va ser un actor, guionista, i director de cinema francès. Biografia [ modifica ] D'antuvi treballà com a periodista i crític de cinema a La Revue du cinéma entre 1947 i 1949.
L'Eau à la bouche probably ranks as Doniol-Valcroze's most inspired film, a mischievous comedy of manners which mocks the sexual mores of its time with an acerbic wit that is typical of its author. With its elegant tracking shots across the empty spaces of an opulently furnished country château and unsettling zooms, which always seem to hint ...
