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Frances de la Tour. Highest Rated: 93% Hugo (2011) Lowest Rated: Not Available. Birthday: Jul 30, 1944. Birthplace: Bovingdon, Hertfordshire, England, UK. Frances de la Tour has had a lengthy ...
Frances de la Tour (d. 30 Temmuz 1944) Fransız asıllı İngiliz aktris. Rising Damp , The History Boys , Harry Potter and the Goblet of Fire ve Harry Potter and the Deathly Hallows – Part 1 gibi filmleri ve dizileriyle bilinmektedir.
Frances de la Tour ( Bovingdon, 30 juli 1944) is een Engelse actrice. Ze vertolkte meerdere rollen in het theater, waaronder anno 1980 die van Stephanie Abrahams in de première van het toneelstuk Duet for One. Ze is vooral bekend als "Miss Ruth Jones" uit de Britse sitcom Rising Damp, als "Olympe Mallemour" (Engels: Olympe Maxime) uit de ...
Frances de la Tour (* 1944), britische Schauspielerin; François II. de La Tour (1497–1532), französischer Adliger, Diplomat und Militär, Gouverneur von Île-de-France; Frédéric-Maurice de La Tour d’Auvergne (1605–1652), Herzog von Bouillon und französischer General
Frances de la Tour found herself playing small roles in numerous plays for her first six years with RSC. In 1970, she finally got the role that every actress dreams of—the role of Helena in Peter Brook’s legendary production of ‘A Midsummer Night’s Dream.’ Besides the comic representation of Helena, Brook’s interpretation of the play was refreshing, new, and rebellious.
Nata a Bovingdon, nell' Hertfordshire, de la Tour è la sorella dello scrittore e attore Andy de la Tour. Trovò la fama in Rising Damp, in cui apparve con Leonard Rossiter di fama Reginald Perrin e Richard Beckinsale, padre dell'attrice Kate Beckinsale. Durante quel periodo, lei era un membro del Workers Revolutionary Party trockijista accanto ...
26. Jan. 2024 · Frances de la Tour found herself playing small roles in numerous plays for her first six years with RSC. In 1970, she finally got the role that every actress dreams of—the role of Helena in Peter Brook’s legendary production of ‘A Midsummer Night’s Dream.’ Besides the comic representation of Helena, Brook’s interpretation of the play was refreshing, new, and rebellious.
