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Gabriel Yared (born October 7, 1949) is a Lebanese-French composer. Influences. Yared stated composers like Johann Sebastian Bach, Robert Schumann, Oliver Wallace, John Barry, Elmer Bernstein, Jerry Goldsmith, Maurice Jarre, John Williams and Lalo Schifrin as influences. References
Životy těch druhých (2006) Donnersmarck veľmi chcel, aby mu hudbu k filmu pripravil Gabriel Yared, pretože ho jeho predchádzajúce diela nadchli a zvyčajne pracuje pre produkciu s oveľa vyšším rozpočtom. Aby Yared získal predstavu o filme, Donnersmarck mu musel preložiť celý scenár do francúzštiny. Následne Yared súhlasil s ...
21. Okt. 2020 · Gabriel Yared. After making his debut scoring Jean-Luc Godard’s Every Man For Himself in 1980, French-Lebanese musician Gabriel Yared quickly established himself as one of Europe’s most ...
24. Mai 2017 · Gabriel Yared, now 67, was born in Beirut on October 7, 1949. It wasn’t a blissful childhood; he suffered poor eyesight, often felt lonely, faced parental resistance to his musical inclinations and was easily bored by academic study. From 4, he attended a Jesuit boarding school, his family hoping to propel him into medicine, engineering or law.
7. Aug. 2023 · 1408 (2007) 1408 is a horror film directed by Mikael Håfström. The film follows the story of a writer who spends a night in a haunted hotel room. Gabriel Yared’s score for this film is a mix of classical and electronic music, reflecting the film’s supernatural elements. The track “The Cursed Room” is a standout, with its dark and ...
Gabriel Yared is a Lebanese-French composer, best known for his work in French and American cinema. Born in Beirut, Lebanon, Yared scored the French films Betty Blue and Camille Claudel. He later ...
24. Mai 2023 · An Oscar-winning film composer associated with both French and American art-house cinemas, Lebanon-born Gabriel Yared started his career as a pop composer and musical arranger for the likes of Michel Jonasz and Françoise Hardy. His first encounter with films came in 1973 with Samy Pavel's Miss O'Gynie et les Hommes Fleurs. Six years later, he was invited by Jean-Luc Godard to score Every Man ...
