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  1. Debussy. And the play of D' Annunzio.Petr Weigl. and Michael Biehn. the presence of Franco Citti as visible link with the universe of Pasolini. because, in few scenes, the parallel is obvious. but the film is more than a copy or adaptation or only portrait of a saint. the poetic dialogues, the passion of Biehn, remembering many other performances from religious films are good points of a story ...

  2. CGiii Comment. Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite ...

  3. Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing ...

  4. This is the first of two educational art history videos exploring Antonio and Piero del Pollaiuolo’s The Martyrdom of Saint Sebastian. This altarpiece evidences two important contributions, made by the Pollaiuolo brothers, to Italian Renaissance art: the depiction of localized pictorial space as a context for sacred narrative and the potential of the human body as a visualization of dramatic ...

  5. 28. Juni 2022 · In the modern era, the popularization of Saint Sebastian as an icon in the gay community often leads back to Guido Reni’s Martyrdom of St. Sebastian (c. 1615) arguably the most famous depiction ...

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