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  1. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró ...

  2. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró ...

  3. El documental Miró l’altre, en color, sin locución y producido por el COAC junto con Films 59 y Pedro Villanueva, mostró el proceso completo de creación y destrucción del mural. La acción entroncaba con las dinámicas del arte conceptual del momento y con la radicalidad del cineasta. Respondía a la idea de performance-happening que incidía en la idea de proceso y acción, y no tanto ...

  4. Para promover a exposição “Miró L’altre”, organizado pelo Colegio de Arquitectos de Cataluña em 1969, Pere Portabella foi convidado a filmar Miró pintando o cartaz do evento nas janelas do andar térreo. Filmes maravilhosos, interessantes e inc ...

  5. Box Set Pick: Pere Portabella Complete Works. Miró l’altre. In Pere Portabella’s short Lectura Brossa (03), avant-garde Catalan poet Joan Brossa describes himself as an “inventor of strategies” and an “unsubmissive opponent of official culture”—two definitions that also well describe the role assumed by Portabella in the bosom of ...

  6. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró ...

  7. 3. Juli 2008 · One of these is Miró Aidez l’Espagne in which Portabella used archive images of the Spanish Civil War, alternating them with prints from the Barcelona series created by Miró in 1937 in order to commemorate the combat. Another is Miró l’Altre, a film characterised by the close collaboration between the director and the artist at a time when conceptual art, the ephemeral nature of ...