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  1. 4. Feb. 2019 · Gone with the Wind. Sunset Boulevard // Getty Images. Setting: Georgia. The beloved 1939 period film based on Margaret Mitchell's novel of the same name has withstood the test of time. Southern belles can relate to the spoiled and always-put-together heroine Scarlett O’Hara (Vivien Leigh).

  2. With its depraved sex and violence, Netflix’s film The Devil All the Time is the latest take on the Southern Gothic. It’s a genre that is suited to our era, writes Christina Newland.

  3. 21. Nov. 2014 · The American Southern: The Birth of a Modern Independent Film Genre. November 21, 2014. Adam Evans. Adam is a filmmaker based out of Philadelphia, PA and…. “These men who bust their asses work like dogs. And I believe in them, but every day they hurt. They get old, they peel back…. There’s no frontier anymore.”.

  4. 3. Juli 2019 · In fact, we actually learned a lot of what we know about our country and its growth just by taking in those sorts of movies about the South when we were little kids. Here, we're paying homage to them with a list of the very best, must-see Southern movies. We've culled through just about every down-home adventure, sweet tea-laden romance, and ...

  5. 16. Nov. 2018 · Green Book: Directed by Peter Farrelly. With Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco. A working-class Italian-American bouncer becomes the driver for an African-American classical pianist on a tour of venues through the 1960s American South.

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  6. Southern Comfort is a 1981 American action thriller film directed by Walter Hill and written by Michael Kane, Hill and his longtime collaborator David Giler. It stars Keith Carradine, Powers Boothe, Fred Ward, T. K. Carter, Franklyn Seales and Peter Coyote. The film, set in 1973, features a Louisiana Army National Guard squad of nine from an ...

  7. the Literature of the American South This Companion maps the dynamic literary landscape of the American South. From pre– and post–Civil War literature to modernist and civil rights fi ctions, and writing by immigrants in the “global” South of the late twentieth and twenty-fi rst centuries, these newly commissioned essays from leading