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Alfred Emilien Comte de Nieuwerkerke - Bilder, Gemälde und Ölgemälde-Replikationen. Das Gemälde 'Alfred Emilien Comte de Nieuwerkerke' als hochwertige handgemalte Ölgemälde-Reproduktion
Alfred-Emilien O'Hara, Comte De Nieuwerkerke (1811-1892) A bronze equestrian portrait of William I, prince of Orange. Wearing armour, his horse with right leg raised, on an oval naturalistic base, signed Cte E de Nieuwerkerke 1843, dark brown patination. Inspired by Baron Carlo Marochetti's equestrian monument to Emmanuel Philibert, King William II of the Netherlands commissioned Nieuwerkerke ...
erklärte der neue Direktor der staatlichen Museen, Alfred Émilien de Nieuwerkerke auf der konstituierenden Sitzung der neuen Salon-Jury am 4. März 1852. Von der Künstlerschaft war nur noch die Hälfte der Juroren ausgewählt worden. Wahlberechtigt waren nur die Künstler, die bereits einmal zur Ausstellung im Salon de Paris zugelassen ...
21. Okt. 2023 · Count Alfred Émilien O'Hara van Nieuwerkerke (16 April 1811, Paris – 16 January 1892, Gattaiola, near Lucca) was a French sculptor of Dutch descent (his grandfather was the illegitimate son of a minor stathouder) and a high-level civil servant in the Second French Empire.
Count Alfred Émilien O'Hara van Nieuwerkerke (16 April 1811, Paris – 16 January 1892, Gattaiola, near Lucca) was a French sculptor of Dutch descent (his grandfather was the illegitimate son of a minor stadthouder) and a high-level civil servant in the Second French Empire. He is also notable as the lover of Princess Mathilde Bonaparte, after her estrangement from her husband Anatoly ...
Augusta Stylianou Gallery. Count Alfred Émilien O'Hara van Nieuwerkerke (16 April 1811, Paris - 16 January 1892, Gattaiola, near Lucca) was a French sculptor of Dutch descent (his grandfather was the illegitimate son of a minor stadholder) and a high-level civil servant in the Second French Empire. He is also notable as the lover of Mathilde ...
It was the job of photographer Léon Crémière (1831-1913) to photograph the members of the “Maison de l’Empereur” [the Emperor’s Household], and the shot here is his magnificent portrait (1861) of Émilien de Nieuwerkerke, an essential figure in the artistic life of the Second Empire, who at the time had been intendant des Beaux-Arts since …
