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1. März 2024 · Drums – Art Blakey; Engineer [Recording Engineer] – Ray Fowler; Lacquer Cut By – KPG* Liner Notes [On Obi] – DownBeat* Mastered By [All-analog Mastering From The Original Tapes By] – Kevin Gray; Photography By [Back Liner Photos By] – Steve Schapiro; Photography By [Cover Photo], Cover [Cover Photo] – Chuck Stewart; Piano ...
Blakey 1985. Arthur "Art" Blakey, född 11 oktober 1919 i Pittsburgh, Pennsylvania, död 16 oktober 1990 i New York i New York, var en amerikansk jazz trumslagare. Han ledde jazzgruppen The Jazz Messengers. Blakey hade som ung trummis den legendariske Chick Webb som mentor och lärare. Blakey spelade tillsammans med ett stort antal välkända ...
Provided to YouTube by Universal Music GroupMosaic (2005 Remaster) · Art Blakey & The Jazz MessengersMosaic℗ 2005 Blue Note RecordsReleased on: 2005-01-01Ass...
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26. Feb. 2024 · A Night at Birdland (Vols. 1–2) (1954) Although released under Art Blakey’s name, these two albums are really an early form of the Jazz Messengers. Recorded at the famous club Birdland in Manhattan, this comes early in a catalogue with a high proportion of live albums. These volumes are also historically significant as the first to be ...
13. Okt. 2009 · That man was Art Blakey. For more than 30 years, he led The Jazz Messengers, a band which became a sort of graduate school and springboard for some of the greatest jazz players of all time.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and ...
16. Okt. 1990 · ART BLAKEY Louie Bellson aptly described Blakey as "the volcano." As a soloist, accompanist and leader of the incomparable Jazz Messengers for over 40 years, Blakey was the complete "hard bop" drummer and perhaps the first to effectively combine African rhythms with traditional jazz drumming.
