Suchergebnisse
Suchergebnisse:
Record companies (manufacturers, distributors, and labels) may also constitute a "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six:
Casualty recording focuses on documenting direct deaths from armed violence. It does not normally include deaths caused by the indirect or reverberating effects of conflict. [5] Some casualty recording initiatives document injuries as well as deaths. Casualty records may overlap with, or operate in conjunction with, records of persons who have ...
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides ...
Between 1957 and 1960, Sam Cooke's records were produced on the Keen label. From 1960 through 1966, they were produced on the RCA label. Ownership of Cooke's material is split between RCA (roughly 1958–1963) and ABKCO (post-1963), with each label releasing their own compilations and rarely cross-licensing ( The Man and His Music and Portrait of a Legend: 1951–1964 being the two exceptions).
Destination Anywhere: The Film (also released in 1997) was produced and incorporated music and concepts from the album. It stars Jon Bon Jovi and Demi Moore as a young couple struggling with alcoholism and the death of their young child. It debuted on both MTV and VH1 in 1997 and also stars Kevin Bacon, Whoopi Goldberg, and Annabella Sciorra.
Released: March 24, 1992. "Track 10". Released: August 20, 2000. Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy ...
Capitol engineers split the single master mono track into two, boosted the bass on the right channel, boosted treble on the left channel and added a split-second delay between channels to produce a "stereo" release. This duophonic process meant that the Beatles' American fans occasionally heard a slightly different song from that heard by the rest of the world if they listened to the stereo ...
