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  1. personal.lewitt.cn › dgt260DGT 260 | LEWITT

    Vor 3 Tagen · 莱维特DGT 260是人声录音、配音、游戏、直播和播客以及在线教学的专业解决方案。. 其高性能电容音头提供了清晰的声音,在同类别的产品中创造了新基准。. 可自定义的多色LED,表达您的心情,秀出你的风采。. 另外,这款产品还具备指示输入和输出电平、削波 ...

  2. Vor einem Tag · Intervention von Gabriela Golder an der Wall von Sol Le Witts Wall im Kunsthaus Graz.

  3. Vor 4 Tagen · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.” He began to use these ideas as guidelines for two-dimensional works drawn directly on the ...

  4. Vor 5 Tagen · Sol LeWitt's Wall. Performed - Re-Imagine the Future. Universalmuseum Joanneum - Kunsthaus Graz. Sporen - Pioniere der Fortpflanzung. Universalmuseum Joanneum - Naturkundemuseum . Street Lights. Herman Herzele Gallery - Contemporary Art P ...

  5. Vor 3 Tagen · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.” He began to use these ideas as guidelines for two-dimensional works drawn directly on the ...

  6. Vor 2 Tagen · Sol LeWitt, 1999 Tucked away in a quiet corner of Hotel Tower 1’s reception area, head to Wall Drawing #917, Arcs and Circles located a stone’s throw away from Motion . One of two works by LeWitt, Wall Drawing #917, Arcs and Circles paid homage to LeWitt’s belief that ideas by themselves could be artworks, and artists could continue to assume ownership of work created by proteges or proxies.

  7. Vor 3 Tagen · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.” He began to use these ideas as guidelines for two-dimensional works drawn directly on the ...