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  1. 10. Okt. 2017 · 9.2. Damn the Torpedos is the peak of Tom Petty’s songwriting with the Heartbreakers. Slick, big, and immutably classic, the album is a front-to-back feat of production and songwriting. Before ...

  2. 1976 Tom Petty and the Heartbreakers; 1978 You're Gonna Get It! 1979 Damn the Torpedoes; 1981 Hard Promises; 1982 Long After Dark; 1985 Southern Accents; 1985 Pack Up the Plantation: Live! (koncertalbum) 1987 Let Me Up (I've Had Enough) 1989 Full Moon Fever (szólóalbum) 1991 Into the Great Wide Open; 1993 Greatest Hits (válogatásalbum)

  3. Tom Petty Mojo Tour (Soft Hand Inks) Slim Fit T-shirt. $27.99. Tom Petty Live Anthology (Soft Hand Inks) Slim Fit T-shirt. $27.99. Tom Petty Fonda Theatre (Soft Hand Inks) T-shirt. $27.99. Official licensed Tom Petty T-shirts, Hoodies & Caps at Rockabilia. Shop Tom Petty Merch, Music & Pop Culture-Inspired Clothing.

  4. 5. Mai 1981 · With 1979’s Damn the Torpedoes, Tom Petty and the Heartbreakers had finally achieved mainstream success. And on 1981’s Hard Promises, the band members struggled on how to deal with their hard-fought new fame. By the time of the album’s release, Petty had famously gone toe to toe with his record label, opting to file for bankruptcy rather than serve out what he saw as an oppressive ...

  5. Hard Promises is definitely one of my favourites by Tom, extremely underrated. Not necessarily a bunch of hits but every track is great, almost like a poor man's Damn the Torpedoes, but that makes it sound like its bad, which is the complete opposite.

  6. Never mind that David Farragut, the Naval officer who first used the phrase “Damn the torpedoes,” fought for the Union, not the Confederacy: The “Southern” on Southern Accents represents the parts of us that persist even when we’re pretty sure we might lose. Still, maybe Petty should have known better. The album used the Confederate flag in marketing materials, a door he later ...

  7. Southern Accents Review by Stephen Thomas Erlewine. Produced by Dave Stewart, Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South. Occasionally, the songs work; "Rebels" and "Spike" are fine rockers, and "Don't Come Around Here No More" and "Make ...