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  1. 9. Juli 2009 · Lennie Hayton, Horne’s husband and musical director (who happened to be white), conducted the Nat Brandwynne Orchestra, the hotel’s starchy dance band. But all eyes stayed on Lena Horne. “I ...

  2. Other articles where Lennie Hayton is discussed: Lena Horne: She was married to Lennie Hayton from 1947 until his death in 1971. Her one-woman show, Lena Horne: The Lady and Her Music (1981), garnered many awards, including a Drama Critics’ Circle Award and a special achievement Tony Award. In 1984 Horne received a Kennedy Center honour for lifetime…

  3. Slaughter On Tenth Avenue (Rodgers) by Lennie Hayton & the MGM Studio OrchestraA top-20 best-seller, this two-sided 10-inch movie soundtrack single contained...

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    • The78Prof
  4. 24. Sept. 2022 · Although Lena Horne initially went into the relationship less for love and more as a career move since Lennie Hayton was a bigwig in the music business and would help guide her career, Horne would fall deeply in love with Hayton, according to The Guardian and The New York Times. Horne credited him with teaching her how to accept love, according ...

  5. Lennie Hayton's career can be easily divided into two. Early on he was a jazz-oriented pianist and arranger involved in classic jazz dates of the late 1920's. By the mid-1940's he was primarily an arranger for orchestras and quite busy as a studio musician. Hayton excelled during both parts of his musical life. He began playing piano when he ...

  6. Lennie Hayton remporte l'Oscar de la musique pour On the Town avec Roger Edens en 1950. Il est également arrangeur pour la musique du grand succès Chantons sous la pluie en 1952. Hayton décroche encore deux autres nominations, l'une en 1968 pour Star! avec Julie Andrews et l'année suivante avec Lionel Newman , pour Hello, Dolly! avec Barbra Streisand , ce qui lui fait obtenir son deuxième ...

  7. 19. Nov. 2022 · Lennie Hayton’s introduction to Artie Shaw’s recording of “Dancing in the Dark” evokes a gray, misty crepuscule. His deft mixture of tremolo strings, Jack Jenney’s velvety trombone, and the straight-muted trumpets lead to the sound of lush strings and a warm ensemble chord. All of this is played without rhythmic accompaniment, giving the music a floating feeling.