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  1. Listen to A Certain Sadness by Astrud Gilberto & Walter Wanderley. See lyrics and music videos, find Astrud Gilberto & Walter Wanderley tour dates, buy concert tickets, and more!

  2. referencing A Certain Smile A Certain Sadness (LP, Album, Stereo) V6/8673 My copy has some surface noise- its probably well used though! The mix is kind of quaint :) Gobs of reverb at times lessa gobby others, some great riffs though! if you see a copy get it LOL One track is almost trouble man quality- serious this is the $%^& from mid to late 60s-WOW

  3. Guitar [Possibly] – João Gilberto (tracks: 2, 7, 13) Liner Notes – Chuck Briefer; Mastered By – Chris Herles; Organ, Piano – Walter Wanderley; Percussion – Bobby Rosengarden (tracks: 1 to 11, 13) Producer [Original Recordings] – Creed Taylor; Research – Ben Young (3) Supervised By [Reissue] – Jerry Rappaport; Vocals – Astrud ...

  4. 7. Apr. 1999 · Astrud Gilberto & Walter Wanderley - Who Needs Forever. 2:55. Astrud Gilberto - A Certain Sadness. 3:13. Astrud Gilberto / Walter Wanderley - So Nice (Summer Samba) Verve Records 1966. 2:43. Here's that rainy day - Astrud Gilberto & Walter Wanderley. 2:46. Call me - Astrud Gilberto.

  5. Though she never returned to the pop charts in America, Verve proved to be quite understanding of Astrud Gilberto's career, pairing her with ace arranger Gil Evans for 1966's Look to the Rainbow and Brazilian organist/arranger Walter Wanderley for the dreamy A Certain Smile, A Certain Sadness, released later that year. She remained a huge pop star in Brazil for the rest of the '60s and '70s ...

  6. 1967: A Certain Smile, A Certain Sadness (met Walter Wanderley) 1968: Windy; 1969: Gilberto Golden Japanese Album; 1969: September 17, 1969; 1970: I Haven't Got Anything Better to Do; 1971: Gilberto with Turrentine (met Stanley Turrentine) 1972: Astrud Gilberto Now; 1977: That Girl from Ipanema; 1987: Astrud Gilberto Plus James Last Orchestra

  7. Though she never returned to the pop charts in America, Verve proved to be quite astute in its guidance of Gilberto's early career, pairing her with ace arranger Gil Evans for 1966's Look to the Rainbow, with Eumir Deodato and Don Sebesky for the next year's more pop-oriented Beach Samba, and with Brazilian organist/arranger Walter Wanderley for the dreamy A Certain Smile, A Certain Sadness ...