Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. 23. Mai 2008 · Flugelhorn [Flugel Horn] – Lester Lovitt *. Guitar – Marc Ribot. Harmony Vocals – David Poe, Sam Phillips. Recorded By, Mixed By – Michael Piersante *. Tenor Saxophone – Joe Sublett. Trombone – Ken Kugler. Trumpet – Darrell Leonard. Vocals, Guitar – T Bone Burnett *.

  2. 20. März 2008 · The performancesare stunning, masterful, and unpredictable. Tooth of Crime is a prophetic play that Sam first wrote in 1972, and it takes place in a time very much like now, Burnett explains. It s a time when there are zones of fame that flare up and people can become incredibly famous in their own zone and nobodyelse can know it.

    • (18)
  3. Wife Sam Phillips adds her downcast vocals to a few of the album’s tracks, dueting for the southwestern-to-Caribbean flavored “Dope Island.” “Kill Zone” co-written many years ago with Roy Orbison and Bob Neuwirth is a haunting ballad that recalls Orbison’s lonesome melancholy. “The Slowdown” is nearly subliminal with its languid horns and trippy, staggered vocal effects. “The ...

  4. Tooth of Crime : T-Bone Burnett: Amazon.de: Digital Music. Skip to main content.de. Delivering to Kassel 34117 Update location All. Select the department you ...

  5. Tooth of Crime, an Album by T Bone Burnett. Released 13 May 2008 on Nonesuch (catalog no. 7559-79938-5; CD). Genres: Singer-Songwriter. Featured peformers: T Bone Burnett (producer), Gavin Lurssen (mastering engineer).

  6. One of the plays that first announced Sam Shepard as an original voice in American theater, Tooth of Crime is his thrillingly innovative rock drama, published here in a revised edition that is as fresh and provocative as the original was more than thirty years ago. An aging rock star in a world in which entertainment and street warfare go hand ...

  7. Mit der Zeit konnte sich Sam Phillips nicht mehr mit der christlich-konservativen Ausrichtung ihres Labels Myrrh Records identifizieren, so dass es zu einer Trennung von der Plattenfirma kam. Von nun an nannte sich die Musikerin wie in ihren Jugendzeiten „Sam“ und fand 1988 in Virgin Records nicht nur eine neue Plattenfirma, sondern auch einen neuen musikalischen Stil.