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Drug problems kept Quebec from recording for most of the 1950s, but he made a triumphant comeback in the early ’60s and was once again recording for Blue Note and doing freelance A&R for the company. Quebec was playing as authoritatively as ever well into 1962, giving no indication that he was suffering from lung cancer, which claimed his ...
Down At Dawn present a reissue of Ike Quebec 's Blue & Sentimental, originally released in 1962. This is without doubt Ike Quebec's Blue Note masterpiece. The result of a 1961 recording date featuring a superb quartet including guitarist Grant Green, bass man Paul Chambers, and master drummer Philly Joe Jones. Mood and atmosphere seem to be the key words for the most of Quebec's music, while ...
1. Feb. 2008 · Blue and Sentimental is the most exquisitely perfected Ike Quebec album ever. Quebec was a master of mood and atmosphere, and the well-paced solos here are smoky, late-night magic with the greatest consistency of tone. Part of the reason is that his caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet. Two of assemble partners of this classic jazz album ...
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Blue & Sentimental, an Album by Ike Quebec. Released in June 1963 on Blue Note (catalog no. BLP 4098; Vinyl LP). Genres: Hard Bop, Soul Jazz. Rated #45 in the best albums of 1963, and #6420 of all time album..
12. Apr. 2008 · Blue & Sentimental, recorded in late 1961, here in a resonant 2007 Rudy Van Gelder remastered edition, is probably Quebec's most perfectly realized album. It features an outstanding line-up and was recorded before the lung cancer that would lead to his death began to make itself felt. The line-up is unusual, neither acoustic hard bop nor full-on soul jazz. There is barely any piano—Quebec ...
Recorded on December 16, 1961 (tracks A1 to B2) and on December 23 (track B3). Back cover- top right hand corner reads: PM 252, Blue Note BST 84098
Blue and Sentimental is the most exquisitely perfected Ike Quebec album ever. Quebec was a master of mood and atmosphere, and the well-paced solos here are smoky, late-night magic with the greatest consistency of tone. Part of the reason is that his caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet. Two of assemble partners of this classic jazz album ...
