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  1. Petrie, Graham, "Paul Fejos in America," in Film Quarterly (Berkeley), no. 2, 1979. "Fejos Issue" of Filmkritik (Munich), August 1979. Few directors have had such a curious and diverse career as that of Paul Fejös, who was equally at home behind a camera directing entertainment features and documentaries or on anthropological expeditions to South America and the Far East.

  2. PAUL FEJOS rected half a dozen feature length films between 1920 and 1923, all of them now irrevocably lost. (Two other prominent Hungarian directors at this time were Alexander Korda and Michael Curtiz.) In 1923 he left Hungary for America, for a combi-nation of reasons, among them a distaste for the reactionary government that had replaced ...

  3. 18. Aug. 2012 · Criterion presents the sound version of Paul FejosLonesome in its original aspect ratio of about 1.19:1 on this dual-layer disc with a new 1080p/24hz high-definition transfer. Considering the rough history this film has had it’s not a surprise it doesn’t look perfect but I think many will be pleased, even surprised, at how well this ...

  4. Paul Fejos. Pál Fejős (27 de gener de 1897 - 23 d'abril de 1963), conegut professionalment com a Paul Fejos, va ser un director hongarès-estatunidenc de llargmetratges i documentals que van treballar en diversos països, inclosos els Estats Units. També va estudiar medicina en la seva joventut i es va convertir en un antropòleg destacat ...

  5. nfi.hu › fejos-pal-1897/1963/1Nyitólap - NFI

    Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu.

  6. 21. Aug. 2013 · Paul Fejos’ Lonesome (1928) Alone. Take for instance Criterion’s recent release of Paul Fejos’ Lonesome (1928). I hadn’t actually heard of Fejos before this release, although the film comes from a period I find particularly interesting – the transition between the peak of silent cinema and the beginnings of sound. This technological ...

  7. 27. Jan. 2017 · In 1934, Nordisk Films Kompagni hired the Hungarian director Paul Fejos to modernize its studios and internationalize its film production. Fejos’s three Danish feature films were such critical and popular failures, however, that he left Copenhagen. Sponsored by Nordisk Film and Svensk Filmindustri, of Sweden, Fejos went on a filmmaking expedition to Madagascar and the Seychelles. Through ...