Suchergebnisse
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Lord Ronald Charles Sutherland-Leveson-Gower (2 août 1845 - 9 mars 1916) est un sculpteur britannique, surtout connu pour sa statue de Shakespeare à Stratford-upon-Avon. Il a également écrit des biographies de Marie-Antoinette et de Jeanne d'Arc, en plus d'être député libéral de Sutherland. Il est accusé par le
Lord Ronald Gower (until 1889; to MMA) Learn more about this artwork. Timeline of Art History. Chronology Great Britain and Ireland, 1800-1900 A.D. Related Artworks . All Related Artworks; By Lord Ronald Sutherland Gower; European Sculpture and Decorative ...
Also present on the night of the census were five servants, including a butler and an eighteen-year-old ‘Odd Man.’. Lord Ronald Gower died, aged 70, on 9 March 1916 at his home in Tunbridge Wells. Frank Hird died in 1937. They are buried together at St Paul’s in Rusthall, Kent. Photographed by the Farren Brothers of Cambridge. Lord Ronald ...
Lord Ronald Sutherland Gower (1845–1916), Sculptor and Writer Royal Shakespeare Theatre. A Forerunner Glasgow Museums Resource Centre (GMRC) Reverend John Caird (1820–1898), Principal of Glasgow University (1873–1898) Glasgow Museums Resource Centre (GMRC) Edward Robert Bulwer Lytton (1831–1891), 1st Earl Lytton Victoria and Albert Museum.
Dr Martin Spychal, History of Parliament Commons 1832-1868 research fellow, is in conversation with our Public Engagement Manager Sammy Sturgess, discussing the life and political career of Lord Ronald Gower. Lord Ronald Charles Sutherland-Leveson Gower was elected as MP for his family’s pocket county of Sutherland in 1867 and represented the ...
Lord Ronald Charles Sutherland-Leveson-Gower ('Men of the Day. No. 155.') Dilettante, sculptor and writer; Trustee of the National Portrait Gallery Connoisseur and collector; son of the 2nd Duke of Sutherland; practised as a sculptor, and exhibited at the Royal Academy; wrote a number of art historical works; a trustee of the National Portrait ...
accurately describe Lord Ronald Gower and his assistant Luca Madrassi than the actual protagonists in the case. Richard Belt was a working-class lad made good, and his supposed 'ghost' a Belgian. Gower might, with some reason as we shall see, have qualified for a pioneer role in the sculptural renaissance which ensued, but for Gosse, who baptized
