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  1. Barry Shank. Barry Shank Professor shank.46@osu.edu 614-247-6186 . 434 Hagerty Hall. Professional Website Areas of Expertise. Cultural Theory; Culture and Politics ...

  2. Barry Shank is Professor of Comparative Studies at Ohio State University. He is the author of The Political Force of Musical Beauty, Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas, and A Token of My Affection: Greeting Cards and American Business Culture, and a coeditor of American Studies: An Anthology and The Popular Music Studies Reader.

  3. 1. Jan. 2012 · Dissonant Identities. : Barry Shank. Wesleyan University Press, Jan 1, 2012 - Music - 312 pages. Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies ...

  4. About Us. We're a husband-and-wife team with over forty years' combined experience in the industry. We pride ourselves in fostering rich and long-lasting relationships with our clients and we are passionate about what we do. In the office, we are supported by a small team of two trainee accountants and tax assistants as well as admin support.

  5. Barry Shank is Professor of Comparative Studies at Ohio State University. Penny M. Von Eschen is Associate Professor of History and African American Studies at the University of Michigan. Table of contents. Notes on the Editors x. Acknowledgments to Sour ...

  6. www.linkedin.com › in › barry-shank-38211b9bBarry Shank | LinkedIn

    View Barry Shank’s profile on LinkedIn, the world’s largest professional community. Barry has 2 jobs listed on their profile. See the complete profile on LinkedIn and discover Barry’s ...

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  7. Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice ...