Suchergebnisse
Suchergebnisse:
Other articles where Discourse/Figure is discussed: Jean-François Lyotard: …his first major philosophical work, Discourse/Figure (1971), Lyotard distinguished between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. He argued that, because rational thought or judgment is discursive and works of art are inherently symbolic, certain ...
Discourse, Figure was published in 1972 at about the same time as we were engaged in what became an * Jean-François Lyotard, Discourse, Figure, trans. A. Huddek and M. Lydon, University of Minnesota Press, Minneapolis, 2011. 544 pp., £30.00 hb., 978 0 8166 4565 7.
dimension that Discourse, Figure seems to occupy: the subject can come to understand/feel her dreams and/or desires as operational possibilities rather than as manifestations of a transcendent spirit external to her or as mere escapist fantasy. One could say that the mechanics of Libidinal Economy were worked out in Discourse, Figure.
11. Aug. 2011 · Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently ...
- Jean-Francois Lyotard
15. Jan. 2014 · Discourse, Figure, then, comprises by and large a radical Freudian reading of compossible-incompossible spaces. What Lyotard calls the figural , the text’s privileged category, “arises as the co-existence of incommensurable or heterogeneous spaces, of the figurative in the textual or the textual in the figurative, for example.”
Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently ...
Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently ...
