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  1. Whenever asked to name his favorite actors, Japanese filmmaker Akira Kurosawa would cite, with reservations, the unpredictable Toshiro Mifune--then would lavish unqualified praise upon Takashi Shimura. After a long stage career, Shimura made his first film in 1935. Eight years later, he worked for Kurosawa for the first time in Sanshiro Sugata ...

  2. 18. Dez. 2023 · Takashi Shimura (志村 喬, Shimura Takashi), born Shoji Shimazaki (島崎 捷爾, Shimazaki Shōji), was a Japanese actor, best known for his appearances in twenty-one of Akira Kurosawa's thirty films, most significantly Ikiru and Seven Samurai. He also appeared in several Godzilla and kaiju movies produced by Toho. He was born on March 12, 1905 and died of Emphysema on February 11, 1982.

  3. Shimura’s portrayal brings a touch of humanity and depth to the film, making it more than just a monster flick. His involvement underscores the ethical dilemmas faced by those who seek understanding in the face of overwhelming danger, making this one of the best Takashi Shimura films of all time. 6. Throne of Blood – Akira Kurosawa (1957)

  4. Takashi Shimura ( jap. 志村喬 Shimura Takashi; ur. 12 marca 1905 w Ikuno, zm. 11 lutego 1982 w Tokio) był japońskim aktorem, który pojawił się w ponad 200 filmach w latach 1934-1981. Wystąpił w 21 z 30 filmów Akiry Kurosawy (więcej niż jakikolwiek inny aktor), w tym jako główny aktor w Drunken Angel (1948), Rashomon (1950), Ikiru ...

  5. www.adorocinema.com › personalidades › personalidade-583Takashi Shimura - AdoroCinema

    Takashi Shimura é um Ator japonês. Confira a biografia, os detalhes de seus 22 anos de carreira e todas as notícias sobre ele.

  6. Lowest Rated: 64% The Idiot (1951) Birthday: Mar 12, 1905. Birthplace: Ikuno, Hyogo, Japan. Serene leading man of Japanese film who made his screen debut in the early 1940s. Shimura is most widely ...

  7. 19. Mai 2023 · Shimura is the understated hero —a sharp contrast to his slumped over, shadow of a man in Ikiru. best performance: Ikiru. Shimura plays Kanji Watanabe and gives one of the better performances of the 1950s. This is often a physical, silent performance, the pained grimace – Shimura’s face as a backdrop – the sloping of the shoulders.