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18. Juli 2017 · Jul 18, 2017. Share. W hen Donna Deitch set out to make an adaptation of Jane Rule’s 1964 novel Desert of the Heart, she was hoping to depict an experience she’d never seen represented on-screen: a romance between two women that had a happy ending. Taking on the roles of writer, producer, and director, she crafted a refreshingly modern ...
26. Juli 2017 · The words, spoken by director Donna Deitch in her one line in Desert Hearts, go well beyond the movie screen. Deitch has reaffirmed the mantra often since she produced and directed her 1986 lesbian drama, which made cinema history and received impassioned reviews following its release. The novel upon which the film was based, Jane Rule’s 1964 work of lesbian fiction, “Desert of the Heart ...
28. März 2022 · Donna Deitch. Desert Hearts movie. Desert Hearts movie . Organizations I Am Committed To: ...
Donna Deitch's swooning and sensual first narrative feature, DESERT HEARTS, was groundbreaking upon its release in 1985: a love story about two women, made entirely independently, on a shoestring budget, by a woman. In this 1959-set film, adapted from a beloved novel by Jane Rule, straitlaced East Coast professor Vivian Bell (Helen Shaver) arrives in Reno to file for divorce but winds up ...
Donna Deitch. Director: Desert Hearts. Donna Deitch was born on 8 June 1945 in San Francisco, California, USA. She is a director and editor, known for Desert Hearts (1985), NYPD Blue (1993) and Angel on My Shoulder (1998).
Donna Deitch (born June 8, 1945 in San Francisco, California) is an American film and television director best known for her 1986 film Desert Hearts. The film was groundbreaking as one of the first releases to depict a lesbian love story in a generally mainstream, albeit art house, vein but with positive and respectful themes. Deitch also directed the mini-series The Women of Brewster Place ...
14. Nov. 2017 · Filmmaker Donna Deitch devoured Jane Rule’s pioneering Desert of the Heart (1964), then traveled to Vancouver to persuade the expat professor, who had fled the United States at the height of McCarthyism, to grant her the rights. When Deitch succeeded, acquiring Rule’s blessing, she was signing on to make a period film. Rule had set her ...
