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  1. 10. Mai 2018 · Die gefeierte Hollywood-Filmschaffende Anne V. Coates ist mit 92 Jahren gestorben. Sie arbeitete auch im hohen Alter noch im Schnittstudio, unter anderem an "Fifty Shades of Grey".

  2. 9. Mai 2018 · Anne V. Coates, the five-time Academy Award-nominated film editor who won an Oscar for her work on the 1962 classic Lawrence of Arabia and most recently cut Fifty Shades of Grey, has died. She was 92.

  3. 1925 – 2018. Anne Coates is best known as the editor of David Lean’s Lawrence of Arabia, for which she won an Oscar. Techniques she devised for that film revolutionized editing. Coates got four other Oscar nominations (for Becket, The Elephant Man, In the Line of Fire and Out of Sight). At age 90, she co-edited Fifty Shades of Grey with ...

  4. 1963 Lawrence of Arabia. American Cinema Editors. 1995 Career Achievement Award. Anne Voase Coates (12 December 1925 – 8 May 2018) was a British movie editor with a more than 60-year-long career. She was best known as the editor of David Lean 's epic movie Lawrence of Arabia in 1962.

  5. 17. März 2021 · Coates, who passed away two years later in 2018 (at the age of 92), will be remembered as a pioneer of film editing technique and achievement, and one of the most influential women in post-production. Her legacy lives on through her films and her famous and instantly recognizable edits.

  6. 11. Mai 2018 · Mit 92 Jahren ist Anne V. Coates am 8. Mai im Motion Picture Country Home and Hospital im kalifornischen Woodland Hills gestorben. Die Engländerin konnte auf eine über 60 Jahre währende Karriere zurück blicken, die ihr unter anderem 1963 den Oscar für ihren Schnitt an "Lawrence of Arabia" einbrachte. Auch zeitgenössische Zuschauer haben ihre Arbeit sehen können: Ihr letzter Streifen ist ...

  7. 1. März 2010 · Anne Coates and a portrait of Peter O’Toole in Lawrence of Arabia.. by Kevin Lewis • photos by Deverill Weekes. Editor’s Note: With the recent passing of award-winning editor Anne V. Coates, ACE, at the age 92 on May 8, we are re-posting this interview with her from the March-April 2010 issue of Editors Guild Magazine, the forerunner of CineMontage.