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Oja Kodar (/ˈɔɪ.ə ˈkoʊdɑːr/ OY-ə KOH-dar; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's partner during the later years of his life. Description above from the Wikipedia article Oja Kodar, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Orson Welles – Oja Kodar Papers includes scripts, production documents, photographs, and other materials from Orson Welles's work in film and other media. General correspondence, topical files, papers related to Oja Kodar, and personal materials also make up a portion of collection. The bulk of the papers date from the 1960s to the 1980s with a smaller amount of material from the 1930s ...
8. Nov. 2020 · Kodar korediteljka i koscenaristkinja. Prvi film na kojem je Oja Kodar potpisana kao koscenaristkinja i korediteljka je francusko-iransko-zapadnonemački dokumentarni film iz 1973. godine Istine i laži, prevođen i kao F kao falsifikat (u originalu na engleskom F for Fake i na francuskom Vérités et Mensonges).
Oja Kodar és una actriu, guionista i directora de cinema croata, coneguda per ser parella d'Orson Welles durant els darrers anys de la seva vida. Personal [ modifica ] Nascuda com a Olga Palinkaš a Zagreb de pare hongarès i mare croata, Kodar va ser sòcia i amant d'Orson Welles durant els últims anys de la seva vida.
Oja Kodar, née Olga Palinkas en 1941 à Zagreb, est une actrice, scénariste et metteur en scène hungaro-croate. Elle partagea la vie d'Orson Welles de 1962 à 1985. Biographie. Née d'un père hongrois et d'une mère croate, elle renco ...
Ubrzo nakon što su započeli svoju vezu, Vels joj je dao umetničko ime Oja Kodar, koje je nastalo kao mešavina imena „Oja", koje mu je dala sestra Nina, i hrvatskog izraza „ko-dar" (kao poklon). Italijanska štampa objavila je vest o Velsovoj aferi sa Ojom u martu 1970. godine, iako to Mori nije saznala sve do 1984. godine.
F For Fake (1973) -- (Movie Clip) Introducing Oja Kodar Prurient and fascinating, music by Michel Legrand, Orson Welles and his cameras committing mischief in Paris, entirely a digression from the broader subject of art and forgery, with an appearance by Laurence Harvey, in the high-brow documentary F For Fake, 1973.
