Yahoo Suche Web Suche

  1. amazon.de wurde im letzten Monat von mehr als 1.000.000 Nutzern besucht

    Niedrige Preise, Riesenauswahl. Sicher bezahlen mit Kauf auf Rechnung. Entdecke Tausende Produkte. Lesen Kundenbewertungen und finden Bestseller

Suchergebnisse

  1. Suchergebnisse:
  1. Man With A Movie Camera. The spinning of a child’s toy top or the whir of a film strip running through the wheel of an editing table—differing legends explain the inspiration for David Kaufman to adopt the alias that history immortalized: Dziga Vertov. In the new Soviet state, the onomatopoetic nom de plume of the 22-year-old son of Jewish ...

  2. tr.wikipedia.org › wiki › Kameralı_AdamKameralı Adam - Vikipedi

    Kameralı adam (Rusça: Человек с киноаппаратом, Chelovek s kino-apparatom; Ukraynaca: Людина з кіноапаратом, Liudyna z kinoaparatom), Sovyet yönetmen Dziga Vertov'un yazıp yönettiği, emekleme sürecindeki sosyalist bir ülkenin ve orada yaşayan insanların anlatıldığı 1929 yapımı belgesel film. Gündelik yaşamı herhangi bir oyuncu, dekor ...

  3. 21. März 2021 · Man With A Movie Camera” is an experimental 1929 Soviet silent documentary film directed by Dziga Vertov. The film is about a man traveling around a city wi...

    • 67 Min.
    • 83,6K
    • Bihari Kristóf
  4. Mikhail Kaufman. Cinematographer. Yelizaveta Svilova. Film Editing. Part documentary and part cinematic art, this film follows a city in the 1920s Soviet Union throughout the day, from morning to ...

    • (42)
    • Documentary
  5. 9. Dez. 2014 · Man with a Movie Camera , directed by Dziga Vertov in 1929, is a film with the essence of getting the perfect shot. It doesn't have a conventional plot, story line, or real actors. AMWAMC uses the…

  6. 3. Aug. 2015 · Man With a Movie Camera, shot in the late-20s USSR, is still topping polls of best-ever documentaries. The Observer Man With a Movie Camera This article is more than 8 years old

  7. 30. Juli 2015 · Man with a Movie Camera features a similar scene, though the method required to achieve it in the early 20th century was somewhat different. Rather than computer trickery, double exposure was the key: exposing the same strip of film to two different images to overlay them. Vertov uses this technique several times – famously, he literally places the cameraman inside a pint of beer in one scene.