Suchergebnisse
Suchergebnisse:
Day of Wrath: Directed by Carl Theodor Dreyer. With Kirsten Andreasen, Sigurd Berg, Harald Holst, Albert Høeberg. The young wife of an aging priest falls in love with his son amidst the horror of a merciless witch hunt in 17th-century Denmark.
Danish. Day of Wrath ( Danish: Vredens dag) is a 1943 Danish drama film directed by Carl Theodor Dreyer and starring Lisbeth Movin, Thorkild Roose and Preben Lerdorff Rye. It is an adaptation of the 1909 play Anne Pedersdotter by Hans Wiers-Jenssen, based on a 16th century Norwegian case. The film tells the story of a young woman who is forced ...
A Drama of Fear and Superstition in the 20th Century. In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne’s older but kindly husband, Pastor Absalon saved her mother – but now, urged on ...
On the anniversary of Carl Th. Dreyer’s last film. A pair of stunning giant posters for Dreyer’s masterpiece, and other over-sized posters by the artist René Péron. Filmed during the Nazi occupation of Denmark, Carl Dreyer’s Day of Wrath is a harrowing account of individual helplessness in the face of growing social repression and paranoia.
Days of Wrath (Korean: 응징자; RR: Eungjingja; lit. "The Punisher") is a 2013 South Korean film about a man who, having been bullied as a teenager, seeks revenge against the former classmate who ruined his life.
Filmed during the Nazi occupation of Denmark, Carl Dreyer’s Day of Wrath (Vredens dag) is a harrowing account of individual helplessness in the face of growing social repression and paranoia. Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the ...
Directed by Carl Th. Dreyer • 1943 • Denmark. Filmed during the Nazi occupation of Denmark, Carl Dreyer's Day of Wrath (Vredens dag) is a harrowing account of individual helplessness in the face of growing social repression and paranoia. Anna, the young second wife of a well respected but much older pastor, falls in love with her stepson ...
