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  1. Anna Christie (1930, englische Version), US-amerikanischer Spielfilm von Clarence Brown Anna Christie (1930, deutsche Version) , US-amerikanischer Spielfilm von Jacques Feyder Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe.

  2. "Garbo Talks." In her first sound film, Oscar-winner Greta Garbo ("Ninotchka," "Queen Christina") received an Oscar-nomination as the title character in Eugene O'Neill's classic about a romantic prostitute trying to run away from her past. Co-starring Oscar-nominee Charles Bickford ("Johnny Belinda"). Nominated for three Academy Awards, including Best Director.

  3. Anna Christie ist ein US-amerikanischer Spielfilm von Clarence Brown mit Greta Garbo. Er wurde am 14. März 1930 in den Verleih gebracht und war das Tonfilmdebüt der Schauspielerin. Der Film basiert auf dem gleichnamigen Theaterstück von Eugene O’Neill. Greta Garbo drehte unter der Regie von Jacques Feyder auch noch eine deutsche Version ...

  4. Anna Christie is noteworthy for multiple reasons. This German-language version was shot simultaneously with its English-language version, both works establishing their own mileu and providing unique details not found in the other. Greta Garbo utters her first words in talkie cinema here, ordering a whiskey; she is nothing short of fantastic in ...

  5. Anna Christie was a hit, and Garbo became an even bigger star in talking films than she had been in silents. There are actually two versions of Anna Christie. In the early days of talking films, studios looking for the widest possible distribution for their most prestigious productions, sometimes simultaneously made foreign language versions ...

  6. As a child, Anna Christie (Greta Garbo) was sent away by her father, Chris Christofferson (George F. Marion), to live with unkind relatives in Minnesota. Although she escaped her family, Anna fell ...

    • Drama
  7. www.amazon.de › Anna-Christie-Greta-Garbo › dpAnna Christie - Amazon.de

    The 'Magdalena' role of Anna Christie suited her perfectly because, I think, she "believed" in the archetype. Film-making in 1930, like the stage in 1920, was less than a generation past vaudeville, just emerging from the bombast and bathos of 19th Century theatrics. The script, the dramaturgy, the cinematography, and the acting styles are 'all of a piece.' Once again, dear viewer, don't fight ...

    • DVD