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Centennial Summer (1946) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie S ...
CENTENNIAL SUMMER. Directed by. Otto Preminger. United States, 1946. History, Musical, Drama. 102. Synopsis. In 1876 Philadelphia, two sisters (Jeanne Crain and Linda Darnell) vie for the affections of a Frenchman (Cornel Wilde) who’s come to town to pr ...
Other articles where Centennial Summer is discussed: Otto Preminger: Laura and costume dramas: Centennial Summer (1946) was a bland if colourful musical set at the 1876 exposition in Philadelphia, with Crain, Darnell, and Cornel Wilde. In Forever Amber (1947) Darnell portrayed an ambitious 17th-century woman who overcomes her humble beginnings through a series of affairs. Because of the…
10/10. Glorious, enchanting, warm-hearted musical--Jerome Kern's last, haunting score. sdiner82 5 August 2002. If remembered at all, "Centennial Summer" is generally dismissed as 20th-Century-Fox's failed attempt to copy "Meet Me in St. Louis." I'd like to set the record straight, and urge Fox to release this neglected treasure on VHS, DVD ...
29. Mai 2021 · The film was a blatant attempt by 20th Century-Fox to duplicate the success of MGM's Meet Me in St. Louis (1944) and Fox's own State Fair (1945). Michael Kanin's screenplay appears to be a deliberate hybrid of the two earlier films.
Philadelphia in the summer of 1876 and lots of celebration to mark America's first hundred years. The Rogers family are visited by their aunt Zenia (Constance Bennett), who brings with her a young Frenchman, Philippe Lascalles (Cornel Wilde), who is in charge of the French pavillon. Rogers family daughters, Julia (Jeanne Crain) and Edith (Linda ...
Centennial Summer was Jerome Kern’s final score – he died in November of 1945 at sixty years of age, a great loss to the world of musical theatre and film. In Centennial Summer , Kern’s music could not have been in better hands than that of Fox’s music director extraordinaire Alfred Newman, who also adapted Kern’s tunes and created the beautiful underscore for the film.
