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  1. Hard Times is a pretty restrained film, shot with a notably locked-down camera that seeks naturalism from its noir world, which it very often achieves. Hill's Depression-era New Orleans is incredibly immersive (if scantly populated). From oyster shucking warehouses near the docks, to steamboats lazily humming down the river in the background of ...

  2. Um ihrem Heimatort wieder zu einstigem Wohlstand zu verhelfen, stehlen Dorfbewohner eine wertvolle Viagra-Lieferung und verstecken diese im heiligen Brunnen des Ortes.

  3. Topics discussed in the on-camera interview with Walter Hill include, producer Lawrence Gordon, making the transition from screenwriter to director, Raoul Walsh, Sam Peckinpah, Hard Times and what type of film was he trying to make, Charles Bronson, James Coburn, Strother Martin, cinematographer Philip H. Lathrop and what he learned from him as a filmmaker and his thoughts about Hard Times.

  4. "Hard Times" is a powerful, brutal film containing a definitive Charles Bronson performance. He plays Chaney, a man of few words and no past, who rides the rails to New Orleans for the winter and tries to win some money by fist fighting. It's in the middle of the Depression. The fights are all-out and bare-knuckle, held in warehouses and open by invitation to men with cash to wager. Chaney ...

  5. Topics discussed in the interview with Lawrence Gordon include, the origins of Hard Times, Columbia Pictures and how they got involved in distributing the film, Walter Hill and why he decided to hire a first-time director, Charles Bronson, James Coburn, Strother Martin, Jill Ireland, cinematographer Philip H. Lathrop and his thoughts about Hard Times.

  6. 9. Feb. 2021 · Hard Times is a 1975 crime neo noir sport film marking the directorial debut of Walter Hill. It stars Charles Bronson as Chaney, a drifter freighthopping thr...

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  7. 17. März 2017 · Hard Times is a stripped back and spare American depression chronicle, a controlled and almost zen tale of the desperate and lonely in 1930’s Louisiana compared with the bawdier, effervescing and irreverent depictions of the south during the depression of Bonnie and Clyde (Arthur Penn, 1967) or Scorsese’s Boxcar Bertha (1972). As a boxing or combat film it is almost restrained, the fight ...