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During these years Guercino's style evolved from the exuberance of the teens to a calm, classicizing manner. It seems likely that he lightened his palette and calmed his animated style as a natural maturation process. In addition, in the late 1620s Italian taste was swinging in favor of a lighter tonality in paintings in general.
Guercino. 1591 - 1666. Giovanni Francesco Barbieri was called Guercino in reference to his pronounced squint. He was the leading Bolognese painter after the death of Guido Reni. His earlier pictures typically combine the chiaroscuro effects of Caravaggio with a charm and softness not usually found in followers of this artist.
The Counter-Reformation confronted painters with a demand for new kinds of religious propaganda, and so they set out to find fresh ways of rendering familiar subjects. One such Baroque re-interpretation is this Virgin and Child by Guercino, Guercino, painted at the beginning of his stay in Rome (1621-23). The dramatic chiaroscuro, the intimate ...
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666), best known as Guercino, or il Guercino [ɡwerˈtʃiːno], was an Italian Baroque painter and draftsman from the region of Emilia, and active in Rome and Bologna. The vigorous naturalism of his early manner is in contrast to the classical equilibrium of his later works.
Guercino’s canvas depicts a moment in the conversation between Christ and the Samaritan. The two figures, depicted half-length and in the foreground, are positioned around the well-head at which the Samaritan woman has arrived with her pitcher. The encounter takes place on the outskirts of the city and is set in a tranquil landscape in which ...
Bologna, 8 Feb. [b ?2 Feb.] 1591; d Bologna, 22 Dec. 1666). One of the outstanding Italian painters and draughtsmen of the 17th century; his nickname Guercino (‘Squinter’) was given to him because of an eye defect that is said to have been caused by a childhood accident. He seems to have been mainly self-taught, and his early work drew on a ...
7. Jan. 2012 · Der Künstler wurde "Il Guercino", der Schieler, genannt und war ein Meister der Kontraste. In dem Palazzo der Fürstenfamilie Barberini in Rom ist heute die Nationalgalerie für alte Kunst.
