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  1. 11. März 2024 · Roberta Smith, our pioneering co-chief art critic, is retiring after more than 32 years and 4,500 reviews and essays that have helped reshape the canon for modern and contemporary art. Sia Michel and Barbara Graustark celebrate her contributions in this note. “What does Roberta think?”.

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  3. 12. März 2024 · Roberta Smith.Photo: Marco Grob. New York Times co-chief art critic Roberta Smith is retiring after thirteen years in the role, thirty-two years since being hired as a full-time staffer, and thirty-eight years after she began writing for the newspaper, in 1986. The widely respected Smith penned more than 4,500 articles for the publication ...

  4. 9. Nov. 2023 · Roberta Smith. Season 19, Ep. 3. •. Thursday, November 9, 2023. Talk Art NYC special episode! We meet American art critic ROBERTA SMITH from her apartment in Greenwich Village. We explore her career over the past 50 years - Smith first began publishing art criticism in 1972. This epic feature-length conversation gets deep as we discuss visual ...

  5. 13. März 2024 · Roberta Smith Retires from the New York Times After 32 Years. On Monday, Roberta Smith, co-chief art critic of the New York Times, announced that after over thirty-two years and 4,500 reviews and essays, she is retiring. Smith wrote in an Instagram post that although she will not be on staff anymore, she will still contribute short reviews ...

  6. Roberta Smith regularly reviews museum exhibitions, art fairs and gallery shows in New York, North America and abroad. Smith began regularly writing for the Times in 1985, and has been on staff there since 1991. She has written on Western and non-Western art from the prehistoric to the contemporary eras. She sees her main responsibility as “getting people out of the house,” making them ...

  7. 5. Nov. 2009 · Roberta Smith is the acclaimed senior art critic for the New York Times. She was born in New York City, raised in Lawrence, Kansas, and earned a B.A. from Grinnell College in 1969. An alumna of the Whitney Museum Independent Study Program, she worked at the Museum of Modern Art and the Paula Cooper Gallery before becoming a professional art critic in the 1970s, contributing to Artforum and ...