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  1. 8. Juli 2015 · Provided to YouTube by Universal Music Group33 222 1 222 (Live At Monterey Jazz Festival, 1966 / Remastered 1997) · Don Ellis OrchestraDon Ellis Live At Mont...

    • 10 Min.
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    • Don Ellis - Topic
  2. Among Don Ellis's sidemen were Glenn Ferris, Tom Scott, John Klemmer, Sam Falzone, Frank Strozier, Dave MacKay, and the brilliant pianist (straight from Bulgaria) Milcho Leviev. The orchestra's most memorable recordings were Autumn, Live at the Fillmore, and Tears of Joy (all for Columbia). After suffering a mid-'70s heart attack, Ellis ...

  3. 10. Jan. 2018 · 1.Variations for Trumpet - 19:252.Scratt and Fluggs - 2:003.Pussy Wiggle Stomp - 6:434.K.C. Blues [live] - 8:465.Child of Ecstasy - 3:166.Indian Lady [live] ...

  4. Welcome to DonEllisMusic.com (the re-launch) & About This Fan Site. By Sean Fenlon on March 12, 2014 in. I originally launched DonEllisMusic.com in 2001. I am happy to announce the official re-launch of DonEllisMusic.com in 2014, with a fresh new design and re-imagined as a blog. My name is Sean Fenlon, and I am a huge admirer of Don Ellis and ...

  5. 28. Mai 2019 · Don started his big band as a workshop experiment in 1964, but by 1965 was working one night a week at a Los Angeles club. A year and a half ago he moved into Bonesville, a moribund club in Hollywood operated by trombonist Walt Flynn. Ellis has done everything in his power to promote himself, his band and the club.

  6. 3. Juni 2019 · In 1969, Ellis made what was perhaps his most overtly commercial studio album, though ironically, it was titled ‘The New Don Ellis Orchestra Goes Underground'. In essence it was Ellis putting his own spin on a handful of rock, soul and pop hits of the day in addition to presenting a clutch of relatively short original tunes. He also produced the entire album except for one track, which was ...

  7. Während die vorgehenden Alben live aufgenommen wurden, war Electric Bath für das Don Ellis Orchestra das erste Studioalbum und gleichzeitig das erste Album auf Columbia. Die Arbeit im Studio erlaubte es Ellis, jeden Aspekt der Aufnahme zu kontrollieren, was zu einer durchdachteren und anspruchsvolleren Produktionsweise führte.