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From 1980 until 2001, Lira 1 and Lire 2 coins were struck solely for collectors due to their low value, and in 1998 the Lire 5 was also sold for collectors only. Lire 10 and Lire 20 coins dated 2000 or 2001 were struck in sets only. The Lire 500 coin was the first bimetallic circulating coin, and was also the first circulating coin to feature ...
Also an olive branch for symbol of peace and ear for Anatolia. Lira is the name of several currency units. It is the current currency of Turkey and also the local name of the currencies of Lebanon and of Syria. It is also the name of several former currencies, including those of Italy, Malta and Israel. The term originates from the value of a ...
25. Sept. 2023 · Media in category "Italian lira". This category contains only the following file. De-Lira.ogg 1.7 s; 17 KB. Categories: Currencies by name. Money of Italy. Lira (money) Non-topical/index: Uses of Wikidata Infobox.
Lira (Sängerin), eigentlich Lerato Molapo, (* 1979), südafrikanische Sängerin. LiRa steht als Abkürzung für: Bündnis linker und radikaldemokratischer Hochschulgruppen. Liquiditätsrating, Abkürzung aus der Finanzbranche. LIRA steht für: Flughafen Rom-Ciampino in Italien (ICAO-Code) Siehe auch: Lyra. Lire.
The Italian East African lira was seen as a possible bribery, and it was immediately replaced by the East African shilling in 1941, when the United Kingdom gained control of Italy's colonies, at the rate of 1 shilling = 24 lire. The banknotes retired by the British government were later used by the British Army when it occupied Italy between ...
1. Sept. 2010 · The three exchange rate regimes adopted by Italy from 1883 up to the eve of World War I — the gold standard (1883–1893), floating rates (1894–1902), and “gold shadowing” (1903–1911)—produced a puzzling result: formal adherence to the gold standard ended in failure while shadowing the gold standard proved very successful. This paper discusses the main policies underlying Italy’s ...
Lira was devised to accompany humanist sung verse by poets, such as the 14th century Petrarch and his later imitators, and was popular in the North Italian city-states such as Florence, Ferrara, Mantua, Venice and so on. In this role, the Lira enjoyed a prestige among instruments that it was never quite to achieve again. Amongst its exponents at the time were several great painters, notably
