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Vor 4 Tagen · Afro-Cuban jazz already had been percolating in the work of trumpeter and arranger Mario Bauzá and singer and maracas player Machito when Dizzy Gillespie introduced clave rhythms into bebop in 1947, featuring the Cuban conguero Chano Pozo in a Carnegie Hall concert and on a subsequent European tour.
Vor einem Tag · It may be a long way from Dizzy Gillespie, but punk music always goes extremely well with Smith’s films. (Or 1940s bebop was just also NYC punk.) Film No. 2 (2:11) (YouTube timestamp: 2:32 – 4:43). Made 1946-1949 in Berkeley, California. “Algo Bueno” by Dizzy Gillespie is the only song associated with this film in any official Smith-era ...
Vor 5 Tagen · But he's grounded in street culture, with dialogue with a film noir hard-boiled style. Like the bebop legends of the past, he prioritises artistry over theatrics—no "jazz hands" for him; he's a serious musician deserving of respect, yet he retains the playful charm of Dizzy Gillespie.
Vor einem Tag · They rip through Dizzy Gillespie’s “Bebop,” which you can hear below, with giddy ferocity, particularly the high-flying unison theme voiced by Mahall and Sieger while Grip and Griener pull against the rush of 16 th notes with an internal tension that presides over most of the festivities. After the theme is stated Mahall goes off, yanking ...
Vor 2 Tagen · Avec les cachets des bals où il jouait, le pianiste se ruait chez le disquaire pour s’offrir les albums de la série Cuban Jam Sessions et des disques de bebop. Il souligne que le trompettiste Dizzy Gillespie fut « un pilier » pour la musique cubaine « en composant des thèmes afro-cubains qui sont entrés dans le répertoire du jazz ...
Vor 5 Tagen · Theband featured trumpeter Dizzy Gillespie and saxophonistCharlie Parker, the architects of the emerging bebop style ofjazz, which was characterized by fast, inventive soloing anddynamic rhythm variations.
Vor einem Tag · I met Dizzy Gillespie at the Village Gate along with Baba Olatunji, and they also gave me lessons and played with them at the Village. In short, there are so many people who helped me become a better musician that I can’t mention them all. I also studied African rhythms with the djembe in Buffalo, New York and worked there with an African dance group; In Bani I played with the Tacitus who ...
