Suchergebnisse
Suchergebnisse:
Vor 2 Tagen · Aaron Copland*** Soloists: Maynard Ferguson, trumpet* Jazz at Lincoln Center Orchestra/ Wynton Marsalis, artistic director & trumpet** Joy Clements, soprano. Claramae Turner, mezzo-soprano. Richard Cassilly, tenor. Richard Fredricks, baritone. Norman Treigle, bass. Choral Art Society/ William Jonson, director
Vor 2 Tagen · Aaron Copland Conducts “The Tender Land” William Russo: Symphony No. 2, “Titans”; Maynard Ferguson, trumpet; Leonard Bernstein, conductor “Duke” Ellington arr. Wynton Marsalis: A Tone Parallel to Harlem; Wynton Marsalis, trumpet; Jazz at Lincoln Center Orchestra/Wynton Marsalis, artistic director; Kurt Masur
Vor 5 Tagen · His extensive collaborations with renowned artists such as Wynton Marsalis, Midori, Gustavo Dudamel, and Yasiin Bey (Mos Def) make for an uncommonly rich catalog. Bermel’s impressive list of commissions includes prestigious orchestras and ensembles worldwide, and his discography boasts several acclaimed albums. “Working with Sandra’s words is like sculpting gold. I’m honored to ...
Vor 2 Tagen · Große Emotionalität und höchste technische Anforderungen machen Rachmaninows zweites Klavierkonzert zu einem der pianistischen Prüfsteine. Dieser Herausforderung stellt sich der vielfach preisgekrönte, erst 20 Jahre alte Yunchan Lim. Im Anschluss zeigt der schillernde Jazz-Star Wynton Marsalis, welch kreative Kraft er als ...
Vor 5 Tagen · When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant’s work...
Vor 5 Tagen · This collector’s trove of gems includes: Copland playing Copland; the first-ever studio recording of Barber's Adagio for Strings; the 1951 & 1953 Bayreuth recordings; a lost tape of Clifford Curzon; and the first international release of Georg Solti’s 1954 Brahms German Requiem, recorded by Culshaw for Capitol Records.
Vor 3 Tagen · Walker and Gardner adopt a nice, crisp tempo to start things off. Middleground voices are extremely important in this music, and supporting woodwinds (especially a clarinet that earns their paycheck throughout) sound sharp and well balanced with the soloist and strings. The structure of the first movement is unique.
