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  1. Vor 4 Tagen · Produziert von Cale und seiner langjährigen künstlerischen Partnerin Nita Scott in seinem Studio in Los Angeles, ist „POPtical Illusion“ das Werk von jemandem, der versucht, sich der Zukunft zuzuwenden – genau so, wie Cale es immer getan hat. Wunderbar. www.john-cale.com

  2. Vor 5 Tagen · This week, New York musician Stephen Bluhm brings us John Cale and his hauntingly beautiful 1973 masterpiece: 'Paris 1919' Songs discussed in this episode: Paris 1…

  3. Vor 6 Tagen · Die Show am 1. Juni 1974 in Londons Rainbow Theatre mit Kevin Ayers, Brian Eno, John Cale und Nico war ein Gipfeltreffen der Exzentriker und schrieb Geschichte.

  4. www.uncut.co.uk › features › june-1/1974/146119June 1, 1974 - UNCUT

    Vor 5 Tagen · June 1, 1974. 50 years ago, Kevin Ayers, John Cale, Brian Eno and Nico survived a spot of bed-hopping to record a legendary live album. By Richard Williams.

  5. Vor 4 Tagen · John Lissauer. " Hallelujah " is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [1] the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley that in 2004 was ...

  6. Vor 5 Tagen · Primero invitó a su amiga Nico y, a través de ella, contactó a John Cale, otro miembro original de The Velvet Underground. John, que estaba en Londres para grabar su propio álbum, trajo a Eno, quien estaba muy contento de trabajar con algunos de sus héroes (y heroínas). Kevin le preguntó a Robert Wyatt, con quien tocó en Soft Machine ...

  7. centralcinema865.com › production › caged-heatCaged Heat - Central Cinema

    Vor 2 Tagen · After co-writing a pair of “women in prison” cheapies for Corman, Demme claimed the director’s chair for 1974’s CAGED HEAT, which remains one of the disreputable genre’s most notable entries thanks to cinematography from Tak Fujimoto, music by the Velvet Underground’s John Cale, and a (relatively!) socially conscious, three-dimensional approach thanks to Demme’s script and direction.