1976
Suchergebnisse
Suchergebnisse:
Vor 2 Tagen · The way the band came to the stand was notorious – never as one body, but in ones and twos, gradually filling the chairs, possibly hoping for their own round of applause which they often got. Cootie Williams came last, and of course played behind the beat in his rhetorical style most of the evening. I wrote in The Listener once (review-depping for Sandy Brown) that Cootie sometimes sounded ...
Vor 5 Tagen · Focusing on pieces recorded by Ellington’s small groups, variously sized ensembles broken out from the orchestra to showcase its singular voices like alto saxophonist Johnny Hodges, trumpeter Cootie Williams, and baritone saxophonist Harry Carney, Rossi’s Jazzopators play a dance show Saturday at the Community Music Center .
Vor 4 Tagen · This is a wonderful interview with Milt Bernhart [1926-2004], the late big band and studio trombonist who was resident in Los Angeles during the later years of his career. In order to make it easier to read, I’ve divided it into two parts. It’s an important interview because Milt lived through a nascent period in the development of big band ...
Vor 4 Tagen · Instrumental. Trumpet solo by Cootie Williams. G.I. Jive – Louis Jordan and His Tympany Five, six weeks at #1, written by Johnny Mercer (P-2) Hamp’s Boogie Woogie – Lionel Hampton and His Orchestra – six weeks at #1, unsurprisingly co-written by Hampton. Gee, Baby, Ain’t I Good To You – The King Cole Trio, four weeks at #1
Vor 4 Tagen · En sus recuerdos reconoce, aunque no lo cuenta, que “hay muchas historias románticas y pintorescas sobre el jazz y su florecimiento en los burdeles de Nueva Orleans”. Duke Ellington fue el ...
Vor 4 Tagen · Παρόλο που ο Ellinfton συνέχισε να συνθέτει και να παίζει τακτικά καθ' όλη τη διάρκεια της δεκαετίας του 1940 και του 1950, η ζήτηση του κοινού για μουσική big-band είχε εξασθενίσει. Μόνο το 1956, με μια θριαμβευτική εμφάνιση στο ...
Vor 5 Tagen · Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the ...
