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  1. Vor 4 Stunden · But the film in which he gave one of his most quiet and reflective performances also happens to be possibly his best foray into the arthouse genre: Michelangelo Antonioni's The Passenger from 1975 ...

  2. Vor 4 Stunden · Ferrara è la lente e l’approccio, l’ideologia con cui Antonioni si è rapportato al mondo, alla vita, alle relazioni, soprattutto a quelle d’amore. E con Ferrara è stata una storia d’amore, la sola che, grazie anche a questo nuovo Spazio, durerà per sempre. Se continuiamo a tenere vivo questo spazio è grazie a te.

  3. Vor einem Tag · Samuel Fuller’s neo-noir drama The Naked Kiss, Richard Brooks’ Truman Capote adaptation In Cold Blood, Michelangelo Antonioni’s unnerving Blow-Up, and Akira Kurosawa’s High and Low all deal in character dynamics, themes, and motifs that would end up becoming regular fixtures of De Palma’s work, whether it was the duality of its protagonists, a slowly unravelling central mystery, or ...

  4. Vor einem Tag · Il regista Wim Wenders ha fatto tappa a Ferrara per visitare lo Spazio Antonioni, da poco inaugurato, che raccoglie parte dei 47mila oggetti che il regista ferrarese Michelangelo Antonioni ha ...

  5. Vor 4 Tagen · Architektonisches Juwel in Beton an Sardiniens Nordküste: La Cupola von Michelangelo Antonioni soll saniert werden.

  6. kustanovich.substack.com › p › david-baily-portrait-photographerDavid Baily: Portrait Photographer

    Vor einem Tag · Michelangelo Antonioni (2006) One of Bailey's trademarks is his mastery of lighting, which plays a crucial role in the dramatic impact of his images. His focus on simplicity and directness was a departure from the elaborate setups of traditional photography, emphasizing instead the raw, unfiltered beauty of his subjects.

  7. Vor 3 Tagen · Michelangelo Antonioni was the first to establish himself and he became a reference for contemporary cinema. His first work, Story of a Love Affair (1950), breaks with neorealism. [81] He investigates the world of the Italian bourgeoisie with a critical eye in films like I Vinti (1952), The Lady Without Camelias (1953) and Le Amiche (1955).

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