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  1. Vor 3 Tagen · Sandro Botticelli (Firenze 1445-1510). The painting is also known by the title “Bella Simonetta”, based on an early identification of the young woman as Simonetta Cattaneo (1453-1476), a Genoese noblewoman who went on to marry the Florentine Marco Vespucci in 1469 and was loved by Giuliano de’ Medici.

  2. Vor 3 Tagen · This fresco is usually considered as related to a certified payment to Sandro Botticelli, made in 1481, shortly before the painter departed for Rome, where he worked on the decorations of the Sistine Chapel.

  3. Vor 3 Tagen · Uffizi for everyone - International Signs Video | Sandro Botticelli, Spring, 1480 c. This painting, usually known as the Primavera [or ‘Spring’] shows nine figures from classic mythology advancing over a flowery lawn in a grove of orange and laurel trees.

  4. Vor 5 Tagen · Andy Warhol created his interpretation of Venus in 1984, embracing Botticelli's original tableaux, placing it in a whole new cultural context. The famous reinterpretation takes Botticelli's iconic goddess and gives her a Pop Art makeover. At the time the work was created, Warhol was deeply invested in his exploration of mechanical ...

  5. Vor 3 Tagen · Abstract. A selection of masterpieces of fine art is examined from the perspective of the practitioner of Science, Technology, Engineering, and/or Mathematics. No experience with traditional art scholarship is presumed. Download chapter PDF.

  6. Vor 6 Tagen · Sandro Botticelli was closely associated with the Medici court and its ideal of harmony and beauty. Already in his first dated work, Fortitude (1470), he demonstrates his dexterity in the refined use of colour and chiaroscuro derived from his first master, Filippo Lippi , but animated by a greater solidity and monumentality, in the ...

  7. studenten-kunstmarkt.de › post › Mehr-als-die-Anatomie-AktgemaeldeMehr als die Anatomie: Aktgemälde

    Vor 4 Tagen · Als eines der ältesten und vielfältigsten Genre erfreut sich der Akt großer Beliebtheit, doch erst die Griechen erhoben ihn zwischen 1200 v. Chr. – 600 n. Chr. zum selbstständigen Kunstgegenstand. Der Blick und die Wertung des Akts und der Aktgemälde wandelte sich mit der Zeit aber immer wieder. Vom Mittelalter bis ins 15.