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  1. Vor 4 Tagen · Paramount’s film of Charles Brackett and Jacques Théry’s screenplay. Olivia de Havilland one her first of two Oscars for this film.Director: Mitchell LeisenO...

    • 122 Min.
    • Nicholas Graves
  2. Vor 3 Tagen · Billy Wilder and Charles Bracketts screenplay for Sunrise Blvd. is widely regarded as a masterpiece. Its sharp dialogue and insightful portrayal of Hollywood earned it numerous accolades.

  3. Vor 3 Tagen · Brackett kann dagegen nur wirre Machtvisionen aufbieten, die Vader mit Sternen spielen lassen und seine dunkle Aura für den Zuschauer sichtbar machen, sowie Vader die Fähigkeit geben, quasi überall und zu jeder Zeit mit Hilfe der Macht geistige Angriffe gegen Luke zu starten, eine Gabe, die später übrigens auch kurz in einer Vorstudie zu Die Dunkle Bedrohung auftauchte, wo Darth Sidious ...

  4. 22. Mai 2024 · Paddy Chayefsky and Billy Wilder have also won three screenwriting Oscars: Chayefsky won two for Original Screenplay (The Hospital and Network) and one for Adapted Screenplay , while Wilder won one for Adapted Screenplay (The Lost Weekend, shared with Charles Brackett), and two for Original Screenplay (Sunset Boulevard, shared with Brackett and ...

  5. Vor 3 Tagen · Escucha y descarga los episodios de How Would Lubitsch Do It? gratis. Author Donald Bracket joins us to discuss NINOTCHKA, and in particular the collaboration between the film’s two writers: Charles Brackett and Billy... Programa: How Would Lubitsch Do It?. Canal: How Would Lubitsch Do It?. Tiempo: 51:12 Subido 28/05 a las 13:19:45 129485726

  6. en.wikipedia.org › wiki › Gary_CooperGary Cooper - Wikipedia

    Vor 5 Tagen · Despite the clever screenplay by Charles Brackett and Billy Wilder, and solid performances by Cooper and Colbert, American audiences had trouble accepting Cooper in the role of a shallow philanderer. It succeeded only at the European box-office market.

  7. Vor 4 Tagen · The dawdling direction, by Diamond herself, certainly doesn’t help. The only element of the play that remains clear throughout is its didactic tone. Act one ends with a monologue by Toni (Jennifer Mogbock) that has something to do with finding beauty and heart in playing ball despite the trivializing laughter of (presumably white) spectators.