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  2. The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!

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  1. Barbra Streisand in Funny Girl is the best performance in a musical ever. Barbra Streisand in Funny Girl is the best performance in a musical ever. She had performed the role on the stage before. Her insane voice range in the song "Don't Rain On My Parade" is unmatched by anyone except for probably Julie Andrews in The Sound Of Music.

  2. Vor 2 Tagen · Streisand won the Academy Award for Best Original Song for writing the love theme from A Star Is Born (1976), the first woman to be honored as a composer. [6] With the release of Yentl (1983), Streisand became the first woman to write, produce, direct, and star in a major studio film. [7]

  3. Vor 2 Tagen · Join us as we take a journey through the best of Barbra Streisand’s discography, celebrating the songs that have made her a legend in the world of music. 1. Memory. 2. Evergreen. 3. People. 4 ...

  4. Vor 2 Tagen · One particular song that has deeply resonated with me is “Temporary Arrangement” from the New Broadway Cast of Funny Girl. The lyrics and the heartfelt delivery by the cast truly bring out the meaning behind the song. The song begins with the character Nick addressing Mr. Arnstein, offering him an ace. He emphasizes that this is only a ...

  5. Vor 3 Tagen · Funny Girl is directed by Tony® Award winner Michael Mayer ( Thoroughly Modern Millie) and features the classic score by Tony®, Grammy®, and Academy® Award winner Jule Styne and lyrics by Tony® Award nominee and Grammy® Award winner Bob Merrill, with additional songs from Styne & Merrill.

  6. Vor einem Tag · Angel by Thierry Mugler (1992) + Barbra Streisand (1942- ) + William Wyler's Funny Girl (1968) + Gene Kelley's Hello, Dolly! (1969) + Vincente Minnelli's On a Clear Day You Can See Forever (1970) + Herbert Ross's The Owl and the Pussycat (1970) + Peter Bogdanovich's What's Up Doc?

  7. Vor einem Tag · Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang! The ...