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  1. Vor 5 Tagen · The day will conclude with a special artist in-conversation between Sutapa Biswas and Griselda Pollock. If you have any accessibility needs, please contact public.programmes@royalacademy.org.uk. p r o g r a m m e. 8.30 Private View of the Exhibition. 10.00 Welcome and Opening Remarks. • Rebecca Lyons.

  2. Vor 5 Tagen · The day will conclude with a special artist in-conversation between Sutapa Biswas and Griselda Pollock. If you have any accessibility needs, please contact public.programmes@royalacademy.org.uk. p r o g r a m m e. 8.30 Private View of the Exhibition. 10.00 Welcome and Opening Remarks. • Rebecca Lyons.

  3. Vor 2 Tagen · 33 Griselda Pollock en appelle à la création d’un musée virtuel, seul capable d’accueillir les subjectivités enfouies37. Sans doute faut-il penser d’autres musées, les multiplier (qu’ils soient imaginaires, virtuels, féministes, décoloniaux, etc.), en produire pour soi et pour les autres, afin de susciter d’autres regards, de renouveler en profondeur notre rapport à l’art ...

  4. Vor 3 Tagen · Sofia Vergara On Transforming Into Cartel Leader ‘Griselda’ And Why Jennifer Aniston Was Key In Taking On Her First Big Dramatic Role – The Actor’s Side

  5. Vor 3 Tagen · Associate researcher at the Institut ACTE (Université Paris 1Panthéon-Sorbonne) and Passages XX-XXI (Université Lumière Lyon 2), lecturer at ENS Lyon and Université Sorbonne Nouvelle-Paris 3, she has published several articles, including studies on Sergei M. Eisenstein and William Hogarth.

  6. Vor einem Tag · 1990-ben például Griselda Pollock feminista művészettörténésznőnek gondot okozott a francia posztimpresszionista festő 1892-es Manaò tupapaú (A halott szelleme figyel) című festménye, amely egy meztelen tahiti lányt ábrázol, aki hason fekszik és a nézőre tekint; Pollock szerint ez a festmény elsősorban a „gazdasági és ...

  7. Vor 3 Tagen · Back in 1990, for example, the feminist art historian Griselda Pollock found herself troubled by this French Post-Impressionist’s 1892 painting Manaò tupapaú (Spirit of the Dead Watching), which depicts a nude Tahitian girl lying on her stomach and looking back at the viewer; Pollock said it was first and foremost a painting about “economic and sexual exchange.” But as new versions of ...