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  1. Vor 2 Tagen · On the Manhattan end of the Queensboro Bridge were originally five trolley kiosks, which contained stairs leading to a trolley terminal underground. Lindenthal and Hornbostel designed the structures, which had terracotta-paneled facades, cast-iron columns, and a copper roof with cast-iron fascias.

  2. Vor 3 Tagen · Built between 1912-16 by engineer Gustave Lindenthal and architect Henry Hornbostel, the Hell Gate Bridge was once the longest steel bridge in the world and the only four-track long-span...

  3. Vor 5 Tagen · Features. ‘Crazed egomaniacs who want to subjugate us’ – a brief history of architects in film. Charles Holland. 3 June 2024. Gary Cooper plays the toweringly ambitious architect Howard Roark. in the film adaptation of The Fountainhead (1949), directed by King Vidor. Photo: Everett Collection Inc/Alamy Stock Photo.

  4. Vor 3 Tagen · To design a new chapter house, they hired Henry Hornbostel and George Carnegie Palmer (a member of St. Anthony Hall) of the firm of Wood, Palmer and Hornbostel. The architects' plans were filed with the city on August 26, 1898, and the building was completed in 1898.

  5. Vor 3 Tagen · In the photograph above, you can see part of a wooden sidewalk from West Street in Greenpoint, a stretch of sidewalk believed to have been the last sample of exposed wooden pavement in New York ...

    • Henry Hornbostel in Architecture and Legacy Film1
    • Henry Hornbostel in Architecture and Legacy Film2
    • Henry Hornbostel in Architecture and Legacy Film3
    • Henry Hornbostel in Architecture and Legacy Film4
    • Henry Hornbostel in Architecture and Legacy Film5
  6. Vor 5 Tagen · After spending some time in the 16th arrondisement, we recognized many scenes where the film Inception was filmed. The dream training facility is actually the foundations of the elevated metro ...

  7. 2. Sept. 2006 · A favorite line: "The individual architect, armed only with a set square and pencil, working away on some grand scheme that has no obvious deadline, client or contact with reality is a persistent cinematic myth."