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Vor einem Tag · Observational comedy, satire, surreal humor, deadpan William Henry Cosby Jr. ( / ˈ k ɒ z b i / KOZ -bee ; born July 12, 1937) is an American former comedian, actor, spokesman, and media personality.
Vor 3 Tagen · David Khari Webber Chappelle ( / ʃəˈpɛl / shə-PEL; born August 24, 1973) is an American stand-up comedian and actor. He starred in and co-created the satirical comedy sketch series Chappelle's Show (2003–2006) before quitting in the middle of production during the third season.
Vor 2 Tagen · Born and raised in Chicago, Illinois, Mulaney first rose to prominence for his work as a writer for the NBC sketch comedy series Saturday Night Live from 2008 to 2013, where he contributed to numerous sketches and characters, including Stefon, a recurring character that he and Bill Hader co-created.
Vor 3 Tagen · The Fox animated show Krapopolis puts a pretty unique spin on observational comedy and is able to pull it off because of the show’s unique premise. It is, essentially, about the dawn of civilization as one ruler named Tyrannis ( Richard Ayoade ) tries to create a city and experiment with democracy in ancient Greece.
Vor 2 Tagen · Donatas Staneika is an observational comedian making waves on The UK Circuit. In his short comedy career, he has won both the notorious Blackout Gong show at Up The Creek and Ding Dong Gong at Big Belly Comedy Club, became a 2-time Comedy Store King Gong finalist, made the semi-final of the prestigious So You Think You’re Funny ...
Vor 3 Tagen · From calling the Royal Family the most traditional Indian family to commenting on how Brexit may have prevented Madeleine McCann from returning to the UK, it’s a great set of mostly observational comedy with some fun crowd work.
Vor 4 Tagen · Comedy verité has become common enough, with enough self-described “handheld, improvised comedies” that it is necessary to examine the mode of production to ind what is indeed “handheld” and “improvised” and what is, through its televisual style, referencing the observational documentary that audiences have learned to decode as a privileged way of representing the “real.” (See ...
