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  1. Vor 20 Stunden · In both narrative arcs you sense the poetic strains of a different kind of cinema: the girls’ morality tale and Matthew, the melancholy anti-hero, both seem drawn from the generation of Iranian filmmakers that gave us Abbas Kiarostami and Jafar Panahi. Everything from the film’s humanist energies, down to the timbre of the dialogue, rings like an endearing, never-labored homage to Persian ...

  2. Vor 20 Stunden · Agns Varda attracted, ds La Pointe Courte in 1954, the attention of French critics who devoted very beautiful pages to it; first in The Cinema Notebooks then among others in magazines Positive, CinmAction. She later aroused the interest of academics and, whether in France or the United States, her work is now analyzed through the prism of multiple approaches which highlight the aesthetic ...

  3. Vor 2 Tagen · Payal Kapadia and the Poetics of Cinema. Kapadia’s film All We Imagine as Light is premiering at Cannes this year. We look back at her films and her stylistic stamp. There is an image of a tablecloth from Payal Kapadia’s award-winning film A Night Of Knowing Nothing that slots her as one of the most sensitive image makers of our time.

  4. Vor 2 Tagen · Explore "The Soul of the Cinema" through the insightful analysis by Adrian Martin, featuring the profound words of Jean Epstein. This video delves into Epste...

    • 3 Min.
    • 2
    • Manish Rimon
  5. Vor 20 Stunden · Cannes and cinema animation: a moving story. With six feature films adding a splash of colour to the Official Selection of this 77th edition, the world of animated films continues to put the Festival de Cannes at the heart of its story; and this year one of its most celebrated representatives was awarded a collective Honorary Palme d’Or.

  6. Vor 5 Tagen · The result is a deeply moving, poetic work of cinema that deserves to be seen well beyond the festival circuit. Full credits Venue: Cannes Film Festival (Special Screenings) ...

  7. Vor 3 Tagen · Although cinema was increasingly dominated by special-effects films such as Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Titanic (1997), the latter of which became the highest-grossing film of all time at the time up until Avatar (2009), also directed by James Cameron, independent films like Steven Soderbergh's Sex, Lies, and Videotape (1989) and Quentin Tarantino's Reservoir ...