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Vor 4 Tagen · 65 years ago today (5/22/59), saxophonist Ornette Coleman recorded his landmark jazz LP The Shape of Jazz To Come over the course of one day. This was Coleman’s third album, released on 10/22 via Atlantic Records in 1959. It was his debut on the label and his first album featuring his working quartet, which included himself, trumpeter Don ...
Vor 2 Tagen · Ornette Coleman/Don Cherry/Jimmy Giuffre/Kenny Dorham – The Lenox Jazz School Concert: August 29, 1959 The Lenox School of Jazz was a summer program in Lenox, Massachusetts founded by John Lewis and held from 1957 to 1960. It was one of the first instances where the worlds greatest jazz musicians were enlisted as faculty and where jazz ...
Vor 13 Stunden · Free Jazz?Oh Yes, My Droogies, We Have Free Jazz To Sharpen Up The Senses For A Little Bit Of The Old Ultraviolence, Or Perhaps A Steaming Helping Of The Bla...
- 12 Min.
- Axes, Picks, Clawhammers & Footstools!
Vor 13 Stunden · Ornette Coleman, a native of Fort Worth, Texas, born on March 9, 1930, was a renowned American jazz saxophonist, composer, and bandleader. He was a key figure in the advent and development of free jazz during the late 1950s. His musical journey began with local R&B and bebop bands, eventually leading to the formation of his own ensemble in Los Angeles. Coleman’s innovative approach to ...
Vor 5 Tagen · Tomorrow was the question; find a new rhythm section was ultimately the answer, but Ornette Coleman straining to free himself from the bonds of bebop is its own special thing.
Vor 4 Tagen · Titled Celebrate Ornette, the results have been collected in a box set encompassing three CDs, four 128-gram vinyl records and two DVDs. An accompanying book features essays from Denardo Coleman and Ornette disciple James Blood Ulmer, among others, as well as plenty of photos of the iconic saxophonist.
Vor 4 Tagen · “Lonely Woman” is one of the most melodic and most covered of Coleman’s compositions. In 1962, the Modern Jazz Quartet recorded their own version of “Lonely Woman” for their album of the same name. This became one of the earliest covers of a Coleman song.
