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  1. Vor 3 Tagen · In her absence, Owen ruminates on the connection and begins to believe that events from The Pink Opaque may not have been contained to the realm of the fictional. As the lines between reality and fantasy blur for Owen, the passage of time in I Saw the TV Glow mirrors that of mind-benders Synecdoche, New York and last year’s Beau Is Afraid.

  2. Duplicity with Clive Owen and Julia Roberts was kinda confusing. Vote. Award. ForAThought. • 23 min. ago. Predestination (2014) Vote. Award. Recently i was reminded of some of the most bizarre and confusing movies i had ever seen while looking up clips and imdb info on Seann William Scott….

  3. en.wikipedia.org › wiki › Spike_JonzeSpike Jonze - Wikipedia

    Vor 3 Tagen · The film was his first original screenplay and the first he had written alone, inspired by Charlie Kaufman by putting "all the ideas and feelings at that time" into his script for Synecdoche, New York. It stars Joaquin Phoenix, Amy Adams, Rooney Mara, Olivia Wilde, and Scarlett Johansson.

  4. Vor 3 Tagen · The classic 21st movies you might be thinking of, like There Will Be Blood, No Country for Old Men, Synecdoche, New York, Juno, and Million Dollar Baby, belong to an old era.

  5. Vor 6 Tagen · The film’s final sequences echo the work of Charlie Kaufman, especially in the sense of a surrealist structure that covers many years, like I’m Thinking of Ending Things and Synecdoche, New York. We see Owen aging and working at an arcade where others are joyously living out life as he feels drained, disconnected, and detached. He still streams his beloved show from the 90s that he once ...

  6. Vor 2 Tagen · Synecdoche, New York, directed and written by Charlie Kaufman, was released at the Cannes Film Festival in France on May 23, 2008. Music by Jon Brion. Cast: Philip Seymour Hoffman, Catherine Keener, Sadie Goldstein, Tom Noonan, Peter Friedman, Charles Techman, Josh Pais, Daniel London, Robert Seay, Michelle Williams, Stephen Adly Guirgis ...

  7. Vor 3 Tagen · Unlike other notable films about architecture, such as Synecdoche, New York (2008) or The Fountainhead (1949), Megalopolis doesn’t match its ambitious themes. The film’s design often devolves into unintentional bad taste, particularly when it doesn’t channel styles and schools of thought and instead mimics ancient Rome, tackles current events, and styles Crassus (Jon Voight) just like Trump.