Suchergebnisse
Suchergebnisse:
Vor 4 Tagen · Mitchell Froom and Tchad Blake brought a decade of their unusual keyboards and inventive mix ideas starting with 1986's Daring Adventures. This chapter ends with Rob Schnapf and Tom Rothrock's 1999 work on Mock Tudor , coupling simpler arrangements with crisp elements of '90s alt-rock.
Vor 5 Tagen · Tchad Blake. Mixing Engineer. Kenny Luong. Engineer. Lyrics. I like it when we're going out I don't care if there's nothing on We do what we want when we're out We do what we want, yeah, we're out I don't really want it to stop, I just go ...
Vor 4 Tagen · Assez tôt dans le processus, nous avons voulu travailler avec Tchad Blake au mixage. Lorsque nous lui avons envoyé nos premiers enregistrements, il nous a demandé s’il s’agissait de démos ou d’idées en gestation. Il les a appréciées en tant que telles. Dans une démo, tu joues simplement une idée sans trop y réfléchir. Au fil des enregistrements, tu perfectionnes le rendu, mais ...
Vor 3 Tagen · Alle 12 Tracks sind in zwei Stereomixen zu hören: dem Bright-Side Mix, der von Mark 'Spike' Stent bearbeitet wurde, und dem Dark-Side Mix, der von Tchad Blake umgestaltet wurde. Beide Versionen sind auf der Doppel-CD enthalten und auch separat als Doppel-Vinyl-Alben erhältlich. Eine dritte Version - der In-Side Mix in Dolby Atmos ...
- UNIVERSAL MUSIC
Vor einem Tag · We lived and worked together for two weeks. It was just fantastic. It was a life-changing experience for them and for all of us. Now I’m finishing work on mixing that record. I’ve split it up between this all-star team of mixing people, with Tchad Blake, Tim Palmer, Stephen Lipson, and Adam Greenspan – the guy who I work with.
Vor 2 Tagen · Website. grammy.com. The Grammy Award for Album of the Year is an award presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales, chart position, or critical reception." [1]
SM7s rule on drums. I’m using one rn crotch mic style ala Tchad Blake. I either distort it and blend it in with the other mics or use it as the only mic for a more vintage sound, just move it around til you get the balance you like. 👍
