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  1. Vor einem Tag · Surreal, Insane, ORSON WELLES, Auteur ,

  2. Vor einem Tag · Der Prozeß (FR/D/IT 1962, Regie: Orson Welles) 2024 ist das Jahr der neuen Kafka-Filme und -Serien. Als Ergänzung zu der Fülle an Neuinterpretationen von Kafkas Werk und Leben bietet die Reihe einen Blick zurück in die Geschichte des internationalen ,Kafka-Films'. Gezeigt werden Klassiker wie Orson Welles' Prozeß-Verfilmung (FR/D/IT 1962 ...

  3. Vor 2 Tagen · Citizen kane’s mirror image. One of the most mysterious and beautiful, haunting sights in all of cinema,’ is how the late, great critic Roger Ebert described it. And even those who have never watched Orson Welles’ monumental masterpiece about the rise and fall of the titular newspaper tycoon will be familiar with the shot: an ageing ...

  4. Vor einem Tag · The American Orson Welles was a towering figure in 20 th century film-making. He would commonly write, produce, direct and star in his own movies. After his ground-breaking (and brilliant) first film, “Citizen Kane” (1941) he was blacklisted for a time by Hollywood and ended up making sherry commercials and doing voice-overs.

  5. Vor 4 Tagen · in Orson Welles' movie "Citizen Kane." My mother, then 83, wasn't dying. Ordinarily, I would have been the one to get the call about her latest medical issue, since I lived near her in New York.

  6. en.wikipedia.org › wiki › James_CagneyJames Cagney - Wikipedia

    Vor 4 Tagen · Cagney, in his acceptance speech for the AFI Life Achievement Award, 1974 Blonde Crazy and Taxi! contain lines that became the basis of many misquoted celebrity impersonations of Cagney. He never said "Mmm, you dirty rat!" on film; in Blonde Crazy, he says: "That dirty, double-crossin' rat!" and in Taxi!, he says: "Come out and take it, you dirty, yellow-bellied rat, or I'll give it to you ...

  7. Vor 3 Tagen · Few filmmakers start out as blazingly hot as Peter Bogdanovich. Beginning with the low-budget lone gunman thriller Targets in 1968, the former actor, film programmer, and critic enjoyed one of cinema’s most impressive three-film runs, directing The Last Picture Show, What’s Up, Doc?, and Paper Moon in as many years.