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1. www.prestomusic.com › classical › articlesEthel Smyth (1858-1944) | Presto Music

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   Vor 2 Tagen · Still, some of her contemporaries recognised her gifts - Arthur Sullivan, Thomas Beecham and others - and her reputation was such that in 1922 she broke new ground by becoming the first female composer to be made a Dame, an honour awarded in recognition of both her composition and her writing.

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     Sir Thomas Beecham: Interview and Rehearsal

     21. Sept. 2008

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     Sir Thomas Beecham

     31. Okt. 2013

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     Sir Thomas Beecham Bt, 81 (1879-1961) UK conductor

     2. Jan. 2018

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3. www.youtube.com › watchSir Thomas Beecham & London Philharmonic Orchestra ... - YouTube

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   Vor 2 Tagen · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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   • Autor: sabo yobo

4. set.ccsu.edu › classical-music-101-the-baroque-eraClassical Music 101: The Baroque Era - CCSU SET Department

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   Vor 2 Tagen · A funny aside about harpsichords: Conductor Sir Thomas Beecham, who wasn’t a fan of the instrument, once compared the sound of a harpsichord to “two skeletons copulating on a tin roof in a thunderstorm.” Lol. Sir Beecham has no chill. What was behind the bigness, the ornateness, and the orderliness of Baroque music? Well, a few things:

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6. musicwebinternational.com › 2024 › 05Grieg: Peer Gynt suites by Edvard Grieg (Vox) - MusicWeb...

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   Vor 2 Tagen · Edvard Grieg’s Peer Gynt suites are among the archetypal examples of this amorphous genre. Once the delight of many, it is music that has been used and abused by a century of pop culture to the point that “Morning Mood” and “In the Hall of the Mountain King” have become eye-rolling clichés. They sound anything but in Abravanel’s hands.

7. www.artofmanliness.com › living › leisureClassical Music 101: The Baroque Era | The Art of Manliness

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   Vor 3 Tagen · A funny aside about harpsichords: Conductor Sir Thomas Beecham, who wasn’t a fan of the instrument, once compared the sound of a harpsichord to “two skeletons copulating on a tin roof in a thunderstorm.” Lol. Sir Beecham has no chill. What was behind the bigness, the ornateness, and the orderliness of Baroque music? Well, a few things:

8. wsaa-taskautomation2.wsaa.illinois.edu › classical-music-101Classical Music 101: The Baroque Era - WSAA Task Automation 2 -...

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   Vor 2 Tagen · A funny aside about harpsichords: Conductor Sir Thomas Beecham, who wasn’t a fan of the instrument, once compared the sound of a harpsichord to “two skeletons copulating on a tin roof in a thunderstorm.” Lol. Sir Beecham has no chill. What was behind the bigness, the ornateness, and the orderliness of Baroque music? Well, a few things:

9. positive-feedback.com › show-reports › axpona-2024-ampsandsoundAXPONA 2024 ampsandsound - Positive Feedback

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   Vor 3 Tagen · Russ played one of my favorite showpieces, The "Lark Ascending," by Vaughan Williams played by the New Philharmonic Orchestra conducted by Sir Thomas Beecham, with Hugh Bean on violin. The violin soaring on the heights of the orchestra and floating down delicately to a pianissimo with calm resolution reminded me of a gymnast flying ...