1941
Suchergebnisse
Suchergebnisse:
Vor 3 Tagen · Add to my list. This lecture will explore the world of the second Bloomsbury generation, delving into the intricacies of being young and queer in the 1920s, and how their open way of living and loving is still relevant to our present day. Lesser known than their predecessors, they continued the celebration of freedom of expression and creativity.
Vor einem Tag · After it's debut year in 2023 “Street Weekend” is back for 2024 to find out who’s really king of the street. In a nod to the coveted Hot Rod Drag Week in the USA, we’re looking at a similar format where drivers need to set and submit a time at Santa Pod Raceway in Northamptonshire before Driving around 200 miles to Melbourne Raceway in York to set a time on day 2 and then returning ...
Vor 7 Stunden · Womit es im zweiten Juni-Drittel 2024 in der deutschen Fernseh- und Streaminglandschaft los- oder weitergeht, verraten wir Euch in unserem Serienplaner. Neue Staffeln und Folgen der Serien ...
Vor 4 Tagen · Donald Barthelme (USA) Frederick Barthelme (USA) William Barton (USA) Władysław Bartoszewski (PL) Gurjinder Basran (UK/CAN) Colin Bateman (IRL/GB) Katharine Lee Bates (US) Ralph Bates (GB/USA) Marion Dane Bauer (US)
Vor 7 Stunden · Always Song in the Water: An ode to Moana Oceania by Gregory O’Brien $45. An expanded edition of O’Brien’s superb 2019 rumination on experiences of art, cuture, and environment, considering the ocean that reaches around Aotearoa and stretches to the Kermadecs and beyond as the medium that bears our thoughts in suspension and washes them on both familiar and unfamiliar shores.
Vor 4 Tagen · Story and photos by Jonathan Sharp. Note to self, if you attend the Villa d’Este/Villa Erba Concours again (which I probably will!) then take the ferry! It is 3.9 miles from the town of Como, where our hotel was located, to Cernobbia where the Villas are located. It should take about 16 minutes by car and about half an hour by bus.
Vor 4 Tagen · Jossi Wieler inszeniert Virginia Woolfs „Orlando“ in einer Version von Ralf Fiedler am Deutschen Schauspielhaus in Hamburg als emotionsloses Mainstream-Erzähltheater. Es fehlen mitreißende Gefühle. Diese Kritik entstand für das Sonderheft DIE QUEERE BÜHNE.
